Old Babylonian Cuneiform School Exercise Tablet with Administrative Text

Architectural fragment with rectangular band to one edge, carved decorative detailing with inscription. 7.85 kg, 32.6 cm



Private collection, Europe, thence by descent. Private collection, since the late 1980s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12521-231989.

Amid the many architectural, sculptural, and textual riches of Assyria and Mesopotamia, the broken pieces of basalt bearing fragmentary cuneiform inscriptions have received little attention, but are of fundamental importance. Despite being quite fragmentary, these broken pieces of basalt are the remains of an important witness to the Assyrian imperial presence in the Near East.

A reused seal with an untrimmed top, showing a beast with a small beast on its back, a man in front, star as a filler motif; supplied with a museum-quality impression. 6.27 grams, 22 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s. Accompanied by a previous typed catalogue slip with collection no.61.

One of the largest known examples, comprising a thin-walled body and flaring foot, a separately made long spout rivetted to the body; the U-shaped spout resembling the beak of a bird with stylised linear feather detailing to the gracefully curving neck, eleven domed rivets to the edges; the base of the foot with concentric circle decoration. 735 grams, 46 cm



Believed to have been acquired in the 1960s-1970s. From the collection of Mr Jay Gluck (1927–2000) and Mrs Sumi Hiramoto Gluck. Malter Galleries Inc., Auction 80, The Gluck Collection of Ancient Art, 7 April 2002, no.54. Alexander Ancient Art, Netherlands. Private collection, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13314-257665.

Jay Gluck (1927–2000) was an American author, art historian, and orientalist who spent much of his life in Japan and the wider Asia-Pacific region. A passionate collector and scholar of Asian art and culture, he is perhaps best known for his landmark publication Japan Inside Out (1964), and later A Survey of Persian Handicrafts (1977), co-authored with his wife Sumi Hiramoto Gluck, a Japanese-born artist and cultural collaborator who shared his deep engagement with Eastern art traditions. Together, the Glucks assembled a distinguished collection reflecting their combined expertise and decades of firsthand engagement with the arts of Asia and the ancient world. Items from their collection are held with great regard for the couple's scholarly rigour and the depth of provenance they represent.