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LOT 0386
Nuremberg Brass Lion Statue
GERMANY, 16TH CENTURY A.D.
3 3/4 in. (855 grams, 96 mm).
Modelled in a half-seated pose, gazing upwards with compact body, broad forequarters, the mane rendered in long, parallel strands; the tail emerging from underneath the body and resting diagonally on top of the neck.
ProvenanceAcquired on the European art market.
FootnotesThe treatment reflects the continuation of late Gothic conventions within German workshops, while also aligning with the more classicising tendencies found in North Italian bronze production of the period. The anatomical structure is simplified yet purposeful, characteristic of functional or cabinet bronzes produced across central Europe in the sixteenth century. Its scale and form correspond to small bronzes intended for Kunstkammer settings or as elements within larger composite objects such as inkstands or caskets, where the lion served as an emblem of vigilance, authority, and learned taste.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0386
Nuremberg Brass Lion Statue
Estimate £500 - 700€580 - 810 (for guidance only)$680 - 950 (for guidance only)
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Baroque Period Marble Frieze Depicting a River God
17th-18th century A.D.Sold for (Inc. bp): £3,380
Depicted lying on a riverbed, leaning on his right side, his aged face framed by a rich, flowing beard, his wavy hair held back by a taenia; his body, naked and corpulent, is covered only by a light cloak wrapping his legs; his left hand is stretched forward, his right hand resting on a vase pouring water from the river; the figure stands out against a smooth, semicircular cut wall; mounted on an old collection marble base. 13 kg, 44.5 cm wide
With evidence of break along outer edges suggesting the fragment was once part of a larger composition or fountain. Areas of old glue remnants to the broken edge. The marble is stable, with age staining to the entire surface; minor chips throughout but generally in very good condition.
Previously in an old European collection, probably from the 18th/19th century, based on the old collection marble base and mounting technique. Private collection, France. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no. 13239-251810.
The representations of river or sea divinities usually depicted them in the same position, with naked torso wrapped only in a wide cloak, and usually bearded. The sculpture bears similarities with the sculpture of a river divinity, in the Archaeological Museum of Napoli (inv. 5977), from Rome and belonging to the Farnese Collection, from the second half of the 2nd century A.D. -
Indian Mutton Fat Jade Carved Fish-Shaped Gunpowder Flask
Late 20th-21st century A.D.Sold for (Inc. bp): £260
Carved in the round in the form of a fish with S-curved body in grey-white stone; the finial a bird's head and neck; fish-head with open jaws, lotus-flower knops as stoppers. 331 grams, 19.5 cm
Private collection, UK. -
Post Medieval Silver Religious Seal with Boxwood Handle
17th-18th century A.D.Sold for (Inc. bp): £468
Comprising a balustered wooden handle and a silver stamp seal with a large cross behind two crossed hands with stigmata, the cross with an inscription, supplied with a museum-quality impression. 51.96 grams, 85 mm
Acquired on the European art market.
