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LOT 1205
North-Western Persian Sword Blade
1ST MILLENNIUM B.C.
18 1/4 in. (345 grams, 46.5 cm).
With rounded shoulders and square-sectioned mid-rib running to the blade tip; short tang with fastening hole.
ProvenanceAcquired 1980-2015.
Ex Abelita family collection.
Cf. Christie's, The Axel Guttmann Collection of Ancient Arms and Armour, part 2, London, 2004, item 40, p.36.
FootnotesThe Luri people produced a quantity of fine metalwork, which according to Dr. Khorasani, could be due to a settled period which arose as a result of the defeat of the Elamites by the Babylonians, leaving the Luristani people in relative peace for a period of time after 1200 BC. According to Khorasani 'A culture of innovation and experimentation flourished, and the repertoire of the Luristan smiths expanded in the period between 1150–1050 BC.'
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Byzantine Iron Horse Bit
14th-16th century A.D.Estimate: £200 - 300 (+bp*)
Opening Bid: £111
Composed of arched openwork shanks with looped terminals; one end fitted with large hoops and bar between; one end with a tripartite mouthpiece comprising two collared bars connected by a central hoop; Byzantine or early Ottoman. 340 grams, 19.5 cm
Fine condition.
Collection of Dr. Hanns-Ulrich Haedeke (1928-2017), author of ‘Schmuck Aus Drei Jahrtausenden’ and who became the director of the Museum of Klingenmuseum in Solingen, Germany, in 1968; the collection was formed in the early 1960s. From an important private Dutch collection.
This type of horse bit is visible on one of the most important equestrian artworks of the 15th century - the Cappella dei Magi by Benozzo Gozzoli, a painting representing the Three Kings visiting Christ, depicted in costumes belonging to the early quarter of 15th century. All the cavalrymen in the artwork had heavy curb-bits (with short and curved shanks, as in our specimen) and heavy, single reins. -
Australian Aboriginal Throwing Club
19th century A.D.Sold for (Inc. bp): £117
The round-section shaft with one tapered end and a pointed, bulbous head. 435 grams, 69 cm
Acquired UK market. Property of a Kent collector.
Used for hunting and in warfare. Possibly engraved using a possum tooth. -
European Savoyard Burgonet
Circa 1620 A.D.Sold for (Inc. bp): £3,380
Comprising a full face shield with broad wavy bars and a small mouth opening, a wide hinged visor; the visor and the front section of the helmet secured by large hook-and-eye closures on the right-hand side; the crown with a tall ridge running from front to back, small collar for protecting the neck. 1.14 kg, 25 cm high
Acquired from Andrew Bennett in 2016. The Kusmirek Collection, UK. Accompanied by a copy of a payment confirmation from Andrew Bennett, dated 1st June 2016. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 11768-203986.
This variation of the burgonet helmet is thought to have originated in the Savoy region of southeast France, and was very popular with heavy cavalry (Reiters) serving with a variety of Continental armies of the period. The term Savoyard is a reference to a large number of these helmets that the Swiss captured from the troops of the Duke of Savoy during an unsuccessful assault on the city of Genoa in 1602. The undulated bars and the small mouth of the visor are all indicative of the Savoyard style. The hinges on the side allowed the front of the helmet as a whole to be lifted away from the rear, aiding the wearer to place it over his head.
