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LOT 2473
Neo-Classical Stone and Other Artefact Collection
CIRCA 19TH CENTURY A.D.
7/8 - 1 1/2 in. (31.6 grams total, 22-37 mm).
Including a marble tablet in bronze frame, eye of Horus bead, plano-convex mould with face of an Emperor, biconvex hollow necklace component with four attachment loops. [4, No Reserve]
ProvenanceFrom the private collection of a European gentleman (1942-2024), formed since the 1970s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 2473
Neo-Classical Stone and Other Artefact Collection
Estimate £40 - 60€46 - 70 (for guidance only)$54 - 81 (for guidance only)
Opening Bid
£5 (EUR 6; USD 7) +BP*
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Wooden Statue Studio Reproduction of Amenhotep III
20th century A.D.Estimate: £60 - 80 (+bp*)
Opening Bid: £5
carved in the round wearing a flared and pleated kilt; mounted on a wooden stand. 1.01 kg total, 37 cm highi including stand
From the private collection of Peter Clayton, FCILIP, Dip, Arch, FSA, FRNS, Hemel Hempstead, Hertfordshire, UK; formed since the late 1950s. -
Western Asiatic Style Glazed Terracotta Bowl
20th century A.D.Estimate: £50 - 70 (+bp*)
Opening Bid: £5
Deep conical type with walled town motifs in black and ochre. 630 grams, 23.5 cm wide
Acquired on the UK art market since the 1990s. From the property of a late Lincolnshire, UK, gentleman; thence by descent. -
Post Byzantine Adoration of the Magi Shell Plaque
17th-18th century A.D.Estimate: £100 - 140 (‡+bp*)
Opening Bid: £50
Octagonal in plan with carved scene of the Adoration of the Magi with star above; stepped border, pierced for attachment. 30.2 grams, 68 mm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s.
The flat relief and the stylistic refinement of the images place the execution of the plaque towards the end of the 17th century, with some artistic parallels with the Romanian silversmiths of Chiprovatzi.
