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LOT 0264
Neo-Assyrian Black Stone Multifacetted Pazuzu Head
CIRCA 600 B.C.
1 3/8 in. (19.94 grams, 34.28 mm).
Modelled in the round, four addorsed heads, each with snarling mouth and furrowed brow; pierced vertically.
ProvenanceFrom the 'S' collection, London, UK, 1970-1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13286-253337.
Cf. a similar bronze head of Pazuzu in BM, accession no.132964, in Braun-Holzinger, E.A., Figürliche Bronzen aus Mesopotamien, Abteilung I, Band 4, Munich, 1984, pl.53, p.264.
FootnotesPazuzu, in the Mesopotamian mythology, is described as ‘the son of Hanbu and king of wind demons’. Amulets with images of his full body or, more often, just his head, were common in the early first millennium B.C. Pazuzu was most popular in the Neo-Assyrian and Neo-Babylonian periods, from about the late 8th century B.C. through the 6th century B.C.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Opening Bid: £150
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Western Asiatic Decorated Banded Agate Bead
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Mesopotamian Heavy Silver Bead Necklace
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Numismatic and Ancient Art Gallery AG, Ancient Art of the Mediterranean World, No 8, no.5, c.1982. Taisei Gallery, Gold & Silver Auction, Part II, Ancient to Renaissance, 5 November 1992, The Conrad Salon, The Waldorf-Astoria, New York, no.39. Private collection, London. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13265-253358.
The Sumerian word for silver is kú-babbar, which means ‘white metal’. Silver was mined from ores that contained significant amounts of other metals and impurities and therefore requires a great deal of further processing before it can be used. It was considered sacred and immutable, and an extremely high-status material, used for royal jewellery.