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LOT 0827
Nabataean cosmetic Jar
1ST CENTURY B.C.-1ST CENTURY A.D.
2 1/4 in. (36 grams, 56 mm wide).
A miniature ceramic jar with a squat body, broad neck with everted rim and plinth foot, painted band of dots around the neck and stylised leaf motif around the shoulder.
ProvenanceFrom an important collection of Holy Land pottery formed pre 1988, thence by descent.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0827
Nabataean cosmetic Jar
Estimate £150 - 200€170 - 230 (for guidance only)$200 - 270 (for guidance only)
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Bactrian Lapis Lazuli Bead Necklaces
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Acquired 1980-2015. Ex Abelita family collection. -
Western Asiatic Large Terracotta Chalice
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A large terracotta chalice comprising a broad shallow bowl supported by three short arms on a conical base. 1.8 kg, 26.5 cm wide
Acquired 1980-2015. Ex Abelita family collection. -
Mesopotamian Pictographic Tablet Relating to Cattle
Uruk III, circa 3000 B.C.Sold for (Inc. bp): £3,120
A bifacial pillow-shaped clay tablet bearing pictographs relating to cattle to both principal faces; repaired. 130 grams, 56 mm wide
Specialised collection of cuneiform texts, the property of a London gentleman and housed in London before 1992. Thence by descent to family members. Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s. The collection is exceptional for the variety of types, including some very rare and well preserved examples.
Early writing was used primarily as a means of recording economic data. At the end of the 4th millennium B.C., written language developed in Mesopotamia as pictographs, later evolving into abstract forms called cuneiform. Pictographs were drawn in the clay with a pointed implement. Circular impressions alongside the pictographs represented numerical symbols. Cuneiform (meaning wedge-shaped) script was written by pressing a reed pen or stylus with a wedge-shaped tip into a clay tablet.