Mycenaean Pottery Stirrup Jar

A red-figure terracotta bell-krater displaying polychrome figural panels between a laurel wreath and a band of Greek key motifs; side a) two robed male figures holding staffs, wearing a taenia or a band around the head, standing facing a central altar; side b) a woman wearing a chiton and holding a casket and olive sprig in her outstretched hands, advancing right towards a nude man standing right, his head turned towards her, holding a bucket and olive sprig, a cloak draped over his arm, elaborate volute palmettes beneath both handles; restored. 4 kg, 41 cm wide



Private collection, Neuchâtel, Switzerland. Ex collection H.& P. Payot, Clarens, by descent. Accompanied by an original thermoluminescence analysis report no.QED2237/SG-0201 from QED Laboratoire. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11580-199029.

Wide-mouthed bell kraters like this one were specifically designed for holding large quantities of liquid and to work as mixing bowls, as it was considered barbaric for wine to be drunk neat (a privilege only enjoyed by Dionysus and his entourage who could handle such a level of intoxication). Wine would be mixed with water, usually one part to three, or even more, as described by Homer regarding the wine offered to the giant Polyphemus (Odyssey, IX, 206-211). As such, kraters provided an ideal large surface area for decoration, and as wine was of utmost importance at the symposium, kraters would usually take centre place, and the decoration of such vessels were geared towards such gatherings attempting to provide subject matter for philosophical debate, like the ones described in Athenaeus’ Deipnosophistae.

A terracotta figure modelled in the round as a mounted warrior, the stylised horse modelled standing on stub legs, with a long neck and detailing to its eyes; the warrior holding a shield in his left hand, right hand and arm raised to eye level, wearing a crested helmet; restored and mounted on a custom-made display stand. 410 grams total, 16 cm high including stand



Acquired before 1990. From an old German collection.

Terracotta figurines of horse and rider were common grave offerings in Boeotia, northwest of Attica, particularly during the 6th century B.C. Representations of warriors on horseback were already widespread in the Geometric Period, and also widely employed in Cyprus in this same period. The image of our rider, although influenced by Cypriot designs, does not show typical Cypriot characteristics, and indeed his kausia cap suggests a northern Greek origin.

A copper-alloy ring composed of a round-section hoop and ellipsoidal bezel displaying an incuse leaping lion motif, collars to shoulders. 4.23 grams, 26.35 mm overall, 19.34 mm internal diameter (approximate size British N, USA 6 1/2, Europe 13.72, Japan 13)



Early 1990s London collection. Acquired on the UK art market. From a private collection, Lancashire, UK.