Loading, please wait...
LOT 0359
Mount Athos Wooden Cross with Silver-Gilt Mounts
LATE 18TH CENTURY A.D.
8 1/2 in. (170 grams, 21.5 cm).
Comprising: a wooden cross with carved scenes from the life of Christ (Nativity and others to one face, Crucifixion and others to the other face) housed in a filigree frame; addorsed winged beasts supporting the arms of the cross; three coral beads to the arms, smaller glass beads to each face; balustered stem and domed base.
ProvenanceEx Iconastas, London SW1, UK, in 2004.
Property of a London, UK, gentleman collector.
Accompanied by a copy of the Iconastas invoice dated 18 February 2004.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Greek Icon with Saint Anthony the Abbot and Saint Charalambos
Early 19th century A.D.Estimate: £300 - 400 (+bp*)
Opening Bid: £150
Saint Anthony the Great on the left, represented in monastic dress holding a scroll of holy writings with his left hand; Saint Charalambos dressed as a bishop, with a green sticharion embroidered in gold, covered by a pink gold embroidered phelonion, a gold embroidered square epigonation with blue edges, and a long orange gold embroidered epitrachelion, holding a gold covered gospel with the image of Christ's resurrection with his left hand; tempera on wood. 558 grams, 25 x 18.6 cm
Acquired from Portobello Road, London, in the 1990s. Property of a London, UK, gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Saint Anthony the Great, who lived in the 3rd-4th century A.D., was the father of the Eastern Monachism. According to the tradition, Saint Charalambos was martyrised in 202 A.D. He is the protector of prosperity and health -
Post Medieval Iron Door Key Collection
17th-18th century A.D.Sold for (Inc. bp): £78
Comprising four large keys with loop handles and long shanks. 362 grams total, 11.5-15.5 cm
Found on various UK sites since 1974. Property of an Essex collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Greek Gold Thread Needle Point with Mary and Jesus in Silver with Inscription to the Archbishop of Jerusalem
Dated 1698 A.D.Sold for (Inc. bp): £520
Depicting Mary holding a lily flower with her right hand and supporting infant Jesus with her left arm; Jesus crowned by a crossed diadem and holding a gospel in his hand; background in gold thread, framed in a circular silver frame with dedicatory inscription to the reverse from a certain Alexander to the Jerusalem’s Archbishop Dositheus, reciting: + Τω ΜΑΚΑΡΙΟΤΑΤω ΚΑΙ CΟΦωΤΑΤω ΠΑΤΡΙΑΡΧΗ ΙΕΡΟCΟΛΥΜωΝ ΔΟCΙΘΕω ΤΙΜΗC ΕΝΕΚΕΝ – μηνι cεπτεμβριω 1698 – Αλεξανδρος – To His Beatitude and Enlighted Patriarch of Jerusalem Dositheus, as a sign of respect – September 1698 – Alexander; internal padding with floral decoration. 82 grams, 10 cm
Property of a London, UK, gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The art of gold embroidery developed in Constantinople, with its own guild, and continued also after the end of the empire. Important artists like the legendary Despoineta, Mariora, Eusebia and Kokona, were famous in the 'painterly' rendering of religious subjects, not with the brush, but with the needle: red satin, and silver and gold wire created dresses, shadows, volumes with a sense of depth and sculptural quality. The artists conceived their works like a true prayer: a hope, based on human creativity.
