Loading, please wait...
_900x900.jpg "Monumental Greek Apulian Red-Figure Calyx-Krater")
_200x200.jpg "Monumental Greek Apulian Red-Figure Calyx-Krater")
_900x900.jpg "Monumental Greek Apulian Red-Figure Calyx-Krater")
_200x200.jpg "Monumental Greek Apulian Red-Figure Calyx-Krater")
.jpg "Monumental Greek Apulian Red-Figure Calyx-Krater")
.jpg "Monumental Greek Apulian Red-Figure Calyx-Krater")
LOT 0092
Monumental Greek Apulian Red-Figure Calyx-Krater
LATE 4TH CENTURY B.C.
22 in. (7.6 kg, 56 cm high).
With elegant fluted body, drum foot and elaborate up-swung handles, displaying polychrome panels on both sides, between a laurel wreath below the rim and a band of Greek meander motif; Side A: the hero Bellerophon riding Pegasus, wearing a Thessalian hat (petasos), depicted nude except for a cloak fastened at the centre of the neck by a round clasp, the hero towering above the other two mythological characters beneath him: Princess Filinoe, on the left, crowned and dressed in a long chiton, and King Iobates of Lycia, dressed in Persian fashion with a long sleeved red tunic worn under a long dress, the field with a representation of an altar, two palm branches over a volute krater, a shield, a javelin, a lotus flower, and above the hero a hanging shield and two clamydes; Side B: figure of a young beardless man, wrapped in a large cloak and holding a staff, with windows and floral scrolls on the background.
ProvenanceAcquired in the mid 1980s-1990s.
From the family collection of Mr S.A., Switzerland, thence by descent.
Private collection since the late 1990s.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12068-218200.
Cf. Trendall, A.D., ‘Paestan Pottery: a Revision and a Supplement’, in Papers of the British School at Rome, 1952, no.20, pp.1-53, pls. I-III, for similar bell-kraters but with different iconography; see also British Museum accession no.1867,0508.1335, in Walters, H.B., Forsdyke, E.J., Smith, C.H., Catalogue of Vases in British Museum, London, 1893-1925, no.F270.
FootnotesThe decoration is very different on the two sides: on the main one, the painter has created a large mythological scene as if it was a summary. The scene comprising the famous hero Bellerophon riding Pegasus, the winged horse, flying above Iobates and his daughter (who will become the hero's wife). The king sent Bellerophon to perform impossible mission, among which the best known is the fight against the Chimera (monster with the body of a lion and a goat, with a snake's tail and two heads, one of a lion and the other of a goat).
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0092
Monumental Greek Apulian Red-Figure Calyx-Krater
Estimate £18,000 - 24,000€20,880 - 27,840 (for guidance only)$24,300 - 32,400 (for guidance only)
-
Greek Lead Actor's Mask Weight
Circa 4th-2nd century B.C.Sold for (Inc. bp): £39
D-shaped and plano-convex in section with raised hair, lentoid eyes, large cup-shaped mouth. 31.1 grams, 26 mm
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. -
Villanovan Impasto Handled Oinochoe
Circa 9th-7th century B.C.Sold for (Inc. bp): £936
Wheel-thrown and with a highly-burnished surface, comprising a protruding foot beneath the globular body, a tapering cylindrical neck and a trefoil-lipped spout, a wide strap handle joining spout to shoulder; decorated with an incised corded motif formin twisting rope patterns around the neck and zigzag across the body; repaired. 2.38 kg, 30 cm high
Ex Richard Brockway, Vero Beach, Florida, USA. Ex Arte Primitivo, New York, USA, in 1995. with Artemis Gallery, Colorado, USA, 22 February 2019, lot 48E (US$2,500-3,500). Property of a South Australian private collector, with collection reference 20.07. Accompanied by detailed collector's catalogue pages including description and photograph. -
Greek Campanian Black-Glazed Kernos
Late 4th century B.C.Sold for (Inc. bp): £1,560
Comprising a round pedestal supporting four small offering pots, interspersed with four female face protomes; looped handle to the centre with parallel strokes in low-relief. 623 grams, 16 cm high
From the West German collection of H.W. Acquired from the De Mynter, Belgium, in 2011. with Gorny and Mosch, Munich, 3 June 2017, no.52. Private Portuguese R.M. collection. Accompanied by a previous catalogue information slip.
The kernos can be recognised by a series of small cups on the lip, with examples dating back to the Bronze Age. It was used to store offerings made to the gods, specifically in cults pertaining to Demeter and Persephone. The receptacles probably contained foodstuffs, or perhaps flowers, and a lamp was sometimes placed in the centre. Kernoses, such as this, were often carried in processions at the Eleusinian Mysteries (secret initiation rites celebrating the goddesses Demeter and Persephone) and were an important object for Greek religious life. Kernoses are thus closely related to the agrarian cult and to the myth of Persephone and Demeter, the goddess of fertility and agriculture. The myth is recounted in an Homeric Hymn (c. 650 B.C.) according to which Persephone, Demeter’s daughter, was seized by Hades, the king of the underworld, who brought her to his kingdom to make her his wife. Distraught, Demeter caused a terrible drought, which continued until Persephone returned to her mother from the underworld. Having consumed pomegranate seeds whilst she was in the Underworld, she was only able to be with her for a few months of the year.
