Loading, please wait...
_900x900.jpg "Monumental Apulian Red-Figure Volute Krater Attributed to the Licurgus Painter")
_200x200.jpg "Monumental Apulian Red-Figure Volute Krater Attributed to the Licurgus Painter")
.jpg "Monumental Apulian Red-Figure Volute Krater Attributed to the Licurgus Painter")
LOT 0093
Monumental Apulian Red-Figure Volute Krater Attributed to the Licurgus Painter
CIRCA 330 B.C.
30 7/8 in. (13.85 kg, 78.5 cm high).
With a flared and carinated foot, meander patterns around the lower body, band of rosettes encircling the neck, gusseted handles with masks to the outer faces opening to two columnar legs, broad shoulder with loops flanking the handles; red-figure scenes to the neck and body: Side a: above, a quadriga with Nike at the reins, wings spread; below, naiskos with flanking columns, hero standing beside his horse, resting on his spear, wearing a muscled armour, surrounded by seated and reclining females and youths in various poses, one of the youths holding the hero's pointed boots in his hand; Side b: above, a palmette, below column with decorative ribbons flanked by two seated males and two females offering votive gifts; some restoration.
ProvenancePrivate collection, Neuchâtel, Switzerland.
Ex collection H.& P. Payot, Clarens, by descent.
Accompanied an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12066-218199.
Cf. a similar Apulian red-figure volute-krater attributed to the Baltimore painter in Metropolitan Museum, New York, accession no.69.11.7, in Heuer, K.E. ‘Vases with faces: isolated heads in South Italian Vase Paintings’ in Metropolitan Museum Journal,Vol. 50 (2015), pp.62-91, figs.3a-3b; for a volute krater with Nike driving a four-horse chariot see the Apotheosis of Herakles in the Archaeological Museum of Napoli (circa 360-350 B.C.), attributed to the painter of Licurgus, which shows the same decoration with faces on the volute handles.
FootnotesMonumental kraters such as this one are typical of the Apulian red-figure production that developed between circa 440 and 300 B.C. in the region of the Greek colonies of Taranto and Metaponto in Southern Italy, where they were used as tomb markers in cemeteries. Here the painter focuses on the celebration of the hero-warrior, surrounded by young women and men, the image of the victorious leader is emphasised by the full panoply and iconography of Nike.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0093
Monumental Apulian Red-Figure Volute Krater Attributed to the Licurgus Painter
Estimate £50,000 - 70,000€58,000 - 81,200 (for guidance only)$67,500 - 94,500 (for guidance only)
-
Hellenistic Silver Diadem
4th-3rd century B.C.Sold for (Inc. bp): £124
Leaf-shaped with repoussé frieze of an advancing horseman and kneeling figure; pellets to the border and other ornament. 1.96 grams, 68 mm
From a Northamptonshire collection in early 1990s. Ex Den of Antiquity, Cambridgeshire, UK. -
Etruscan Impasto Chalice
Circa 6th century B.C.Sold for (Inc. bp): £468
With ribbed stem tapering to a low wide bowl; four loop handles on outside of bowl connecting outer lip of inverted rim to bowl; inside with nine wide equidistant grooves to centre of grooved circle at base of bowl; some restoration. 755 grams, 22.5 cm
From the George R. Francoeur Trust, Bloomfield Hills, Michigan, with collection inventory no.319; acquired in 1982. Ex Hindman Auctions, Chicago, USA, sale, lot 72. Property of a South Australian private collector, with collection reference 20.09. Accompanied by detailed collector's catalogue pages including description and photograph. Accompanied by a Francoeur Trust inventory card with inventory number 82.319), along with collection label 319 to its base. George R. Francoeur (1934-2019) received his Master’s Degree of Fine Arts from the University of Michigan and was a dedicated arts teacher for many years at Cranbrook Academy of Arts. His collection of ancient art was offered at auction by Hindman Auctions, with the proceeds benefiting the George R. Francoeur Scholarship Fund at Cranbrook Academy of Art.
Impasto and bucchero also share techniques that were used to form and decorate the vessels. Bucchero chalices with distinctive fluted walls were popular products during the first half of the 6th century B.C. at a number of Etruscan sites. It is likely that the inspiration for fluted chalices came from metalwork. Undecorated examples have been found at Poggio Buco. -
Monumental Apulian Red-Figure Volute Krater Attributed to the Licurgus Painter
Circa 330 B.C.Estimate: £50,000 - 70,000 (‡+bp*)
Opening Bid: £22,222
With a flared and carinated foot, meander patterns around the lower body, band of rosettes encircling the neck, gusseted handles with masks to the outer faces opening to two columnar legs, broad shoulder with loops flanking the handles; red-figure scenes to the neck and body: Side a: above, a quadriga with Nike at the reins, wings spread; below, naiskos with flanking columns, hero standing beside his horse, resting on his spear, wearing a muscled armour, surrounded by seated and reclining females and youths in various poses, one of the youths holding the hero's pointed boots in his hand; Side b: above, a palmette, below column with decorative ribbons flanked by two seated males and two females offering votive gifts; some restoration. 13.85 kg, 78.5 cm high
Private collection, Neuchâtel, Switzerland. Ex collection H.& P. Payot, Clarens, by descent. Accompanied an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12066-218199.
Monumental kraters such as this one are typical of the Apulian red-figure production that developed between circa 440 and 300 B.C. in the region of the Greek colonies of Taranto and Metaponto in Southern Italy, where they were used as tomb markers in cemeteries. Here the painter focuses on the celebration of the hero-warrior, surrounded by young women and men, the image of the victorious leader is emphasised by the full panoply and iconography of Nike.
