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_900x900.jpg "Mixed Elaborate Glass Bead Collection")
_200x200.jpg "Mixed Elaborate Glass Bead Collection")
.jpg "Mixed Elaborate Glass Bead Collection")
LOT 2000
Mixed Elaborate Glass Bead Collection
20TH CENTURY A.D.
3/4 - 1 1/4 in. (454 grams total, 18-32 mm).
Comprising a colourful mix of cylindrical and spherical beads, including some millefiori examples. [39, No Reserve]
ProvenanceFrom the family collection of a Hampstead gentleman; formerly acquired in the 1980s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
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Post Classical Gemstone Collection
19th century A.D.Sold for (Inc. bp): £143
Comprising: three carnelian intaglios with profile busts; an agate intaglio with profile bust; a lozenge-shaped intaglio with bird and other symbols, possibly made of stained bone; an octagonal green stone intaglio with worn motif; and a lapis lazuli bead. 9.71 gram stotal, 9-24 mm
Acquired on the European art market. -
Russian Orthodox Enamelled Bronze Travel Icon with Saint Antipas of Pergamum
19th century A.D.Sold for (Inc. bp): £338
Representing Saint Antipas with a Gospel in his left hand and making the gesture of blessing with his right, dressed as a bishop, with sticharion, covered by omophorion, and surmounted by an epitrachelion; the Mandylion at the centre above the saint, Saint Mary on the left panel and Jesus on the right; Old Slavic inscription around the figures: 'ΙC ΧΡ' (Jesus Christ); 'ΜΡ ϴΥ'(Mother of God); Saint Antipas of Pergamum (Св Анти́па Перга́мский). 238 grams, 11.3 cm
Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.
The icon features meticulous craftsmanship typical of Orthodox iconography. Saint Antipas was popularly held to be a healer of tooth problems. He was martyred by being burned in a brazen bull-shaped altar under the Emperor Nero or Domitian. -
Chalcedony and Silver-Gilt Bust of the Emperor Vespasian
Italy, 17th-18th century A.D.Estimate: £1,500 - 2,000 (+bp*)
Opening Bid: £750
The head, carved from pale green chalcedony, polished to a smooth lustre and with a drilled aperture at the crown, the hair in tight curls around the nape and crown; the silver-gilt torso dressed in a draped toga carefully chased with deep folds and traces of gilding across the high points; mounted on a later patinated bronze column stand in the neoclassical manner. 208 grams total, 10.9 cm high including stand
Acquired on the European art market.
This small-scale portrait evokes the Roman tradition of imperial portraiture and the early modern fascination with the ancient world. From the seventeenth century onwards, artists and collectors revived classical subjects through hardstone and gilt-metal compositions, often intended for display in Kunstkammer or Grand Tour contexts. The combination of a reused ancient or earlier element with a later mount was a practice typical of the Renaissance and Baroque periods, reflecting the period’s reverence for antiquity and its imaginative recontextualisation of ancient forms.
