Mitanni Cylinder Seal with Animals in Gold Mounting

With a hollow-formed biconvex body, tiered rim and short straight spout, repoussé octofoil motifs to the shoulder, trumpet-shaped stepped base. 349 grams, 16 cm



Acquired before 1983. Ex London gallery, 1990s. Private collection, London. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13027-246802.

The Elamite culture was an important civilisation in the ancient Near East that lasted for many centuries, from the 3rd millennium to the 6th century BC. They developed their own style of art, metalwork, and seal designs, as well as their own form of cuneiform writing. Although the Elamites were eventually absorbed into later empires, many aspects of their culture continued to influence the ancient world around them.

Comprising a round-section swivel ring set with a carved Apis bull depicted recumbent with its head turned to the right. 4.71 grams, 27.98 mm overall, 19.07 mm internal diameter (approximate size British N, USA 6 1/2, Europe 13.72, Japan 13)



Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12939-245988.

The Apis bull was a sacred animal in ancient Egyptian religion, worshipped as a living manifestation of the god Ptah and later associated with Osiris and Ra. Regarded as an intermediary between the gods and humanity, the Apis bull was chosen based on specific physical characteristics, such as a black coat with unique white markings. Once identified, it was housed in a grand temple in Memphis, where it was treated with great reverence, adorned with jewellery, and participated in important religious ceremonies. Upon its death, the bull underwent elaborate mummification and burial rituals, symbolising its transition to the afterlife and its continued divine role. The cult of the Apis bull highlights the Egyptians’ deep connection to animals as symbols of divine power and their belief in the interconnectedness of the mortal and spiritual worlds.

Violin-shaped with round body, long neck and stylised head, symbolising a female body, perforated with two holes at the top representing the eyes, embossed with dots around the perimeter. 5.34 grams, 62 mm



From a private family collection formed since the early 19th century, thence by descent. Property of a New Zealand legal professional. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12321-223719.