Miscellaneous Vintage Pin Badge Collection

Comprising a kantharos-shaped vessel with tall scrolled handles and applied vine and grapes ornament in dark green, on a rectangular base with applied rosette and acanthus-leaf motifs; separate intact domed rose with graduated holes. 1.3.9 kg, 30.3 cm wide



From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990. Property of an Essex lady until the late 1990s; thence by descent. From the private collection of an Essex gentleman since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Tempera on wood panel depicting the Archangel Michael standing on a red cushion in the guise of a guardian angel, holding a drawn sword in his right hand and a scabbard in his other hand; the face with a brown base, features formed in shades of tan and beige with white highlights on a terracotta and deep green background. 3.5 kg, 70 x 38 cm with frame



Acquired on the European art market. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12844-240885. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Even after the fall of Constantinople, icons painted on wood remained the principal object of devotion for Orthodox Christians both within the former borders of Byzantium and wherever the commonwealth of the Eastern Roman Empire left its traces. The painted icons are still today used by the Orthodox for personal devotion, for display in churches on feast days, and to decorate the iconostasis (partition) of the church, i.e. the dividing wall erected in front of the Bema, where the sacred altar of the Apse is collocated. The Archangel Michael was the commander of the Heavenly Host, and venerated by military men and the common people as one of the most powerful protector saints.

A set of four framed and glazed historical prints: Sir Isaac Newton, engraved by W.T. Fry, published London, 1831, by Harding & Lepard; Thomas Howard, Duke of Norfolk, engraved by E. Scriven, published London, 1830, by Harding & Lepard; Queen Anne, engraved by J. Cochran, published London, 1835, by Harding & Lepard; Robert Devereux, Earl of Essex, published London, 1829, by Harding & Lepard. 2.4 kg total, 32.5 x 24.5 cm each

Fair to fine condition.

Property of a North London, UK, gentleman. From the private collection of John Meredith, acquired since the 1990s; thence by descent. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.