Military Button Group

A mixed group of gemstones including lapis lazuli and sardonyx with intaglio motifs including bust of Mercury, figure of Mars and others. 8.4 grams total, 13-20 mm



English private collection.

A bifacial wooden cross comprising intertwined elements with trefoil finials, resting on a tall stem decorated with wavy lines enclosed within a geometric frame, the stem resting on a tabula with an inscription on the front and vegetal decorative element on the back, rhomboidal termination with inscribed cross on both sides; mounted on a custom-made display stand. 600 grams, 43 cm high (50.7 cm high including stand)



Acquired from Owen Hargreaves, 2003. UK private collection.

The Ethiopian manual cross is usually divided in three parts: the cross at the top; the handle; and a square element, the tablet, at the base. It is not easy to define the origin of the cross-borne tablets. There are three suppositions as to what they signify: according to one, the tablet represents the earth with its four corners. According to the second one, the tablet represents Adam's grave on Calvary. The third one is that it represents the Tabot, the highest relic of Ethiopia, the Ark of the Covenant. The cross belongs to the Kernebege (Horns of Ram) group, where the tips of the cross are reminiscent of ram's horns or trefoils. Inscriptions are only very rarely found on wooden, manual crosses like this maskal. They usually give the name of the owner or donor.

A gold posy ring with rectangular-section hoop in the form of a buckled belt with looped end tie and chape with double-bowed and pinned buckle, the outer face inscribed '+HOPE * IS * MI HOLDE' in Roman capitals, continuing 'TILL * HAP * SHALL * HELPE' around the interior; accompanied by a vintage ring box. 2.76 grams, 19.17 mm overall, 16.63 mm internal diameter (approximate size British M, USA 6 1/4, Europe 12.34, Japan 12)



Found whilst searching with a metal detector near Hursley, Hampshire, UK, on Sunday 26th August 2012. Acquired from Berganza, Hatton Garden, London, 2017. Property of an East Sussex collector. Disclaimed under the Treasure Act with reference no.2012 T805. Accompanied by a copy of the British Museum's Portable Antiquities Scheme report no.HAMP-62C152. Accompanied by a copy of the Berganza invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11667-197581.

The inscription is somewhat enigmatic and does not seem to have been previously recorded for a posy ring; the form of the buckle and the knopped chape are typical of examples seen, often in base metal, from the late medieval period to the 16th century A.D. The name of this genre of ring is derived from the 'poesy' or motto usually engraved around the hoop. In medieval examples the posy is mostly engraved around the outside of the hoop but later examples find it on the inner surface. Rings with amatory inscriptions have their origins in the 14th century A.D., when they served as love gifts, betrothal and wedding rings, as attested by surviving documentary evidence. Posy rings were also given to friends or used to mark significant occasions.