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LOT 0227
Mesopotamian Bronze Cylinder Seal with Double-Faced Demon Head
900-700 B.C.
1 1/4 in. (7.82 grams total, 8.1-32.64 mm).
Cylinder with attached cord and bead handle; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: ' Cylinder-Stamp Seal of Bronze, 330x08.5 mm. The seal is surmounted by a suspension loop, beneath which is a double-faced demon head with large, animal-like ears and beards. The neck is decorated with horizontal lines at the fronts and vertical lines at the sides. This rests immediately on the seal proper. The design of the cylinder seal is put between double lines above and beneath. It shows a standing worshipper with raised hands before an incense burner, a group of seven dots, a lunar cresent [sic], a lozenge-shape and a slender tree. The base, the stamp seal, shows a winged solar disc. Such seals, which are quite rare, come from the mountainous area to the north of Mesopotamia, and date from c. 900-700 B.C. In this case the worshipper and the winged disc are borrowed from Assyrian art, but the combination of items before the worshipper is not Assyrian. The demon-head cannot be identified with certainty, though it may be a variety of the Mesopotamian Pazuzu.'; accompanied by museum-quality impressions. [No Reserve]
ProvenanceUK private collection, acquired 1980-1983.
Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in September 1990.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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LOT 0227
Mesopotamian Bronze Cylinder Seal with Double-Faced Demon Head
Sold for (Inc. bp): £572
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Mesopotamian Alabaster Libation Bowl
2nd-early 1st millennium B.C.Sold for (Inc. bp): £10,400
An Aramaean rectangular dish with sloping sides, an inward-facing goat-head at each corner; handle formed as a recumbent lion biting the rim; each beast with recessed eyes to accept inserts; ropework band to the underside. 698 grams, 22 cm
Windermere Collection, Germany, 1960s. American collection, Phillips, 1960s-1980s. with Fortuna Fine Arts, 2012. From the S.M. collection, 2012-2016. From an important London collection, 2016. Private collection. Accompanied by a copy of an Art Loss Register certificate no.S00118561. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12164-218579. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The Aramean civilisation produced superb specimens of vessels, in which the lion, symbol of royal power, was one of the most relevant decorative motifs. Vessels of this typology are already known from the Anatolian culture of Kültepe, the first Hittite capital, since the Middle Bronze Age. Also the culture of Ugarit (Ras Shamarra) produced cups with similar lion heads, in a period of 1500 and 1300 B.C. -
Bactrian Alabaster Vessel
2nd millennium B.C.Sold for (Inc. bp): £234
Conical in profile with disc base, flared sidewall tapering to a narrow rim. 847 grams, 15 cm
Ex London, UK, gallery, 1971-early 2000s. London, UK, collection. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Western Asiatic Animal Amulet Collection
3rd-1st millennium B.C.Estimate: £800 - 1,000 (‡+bp*)
Opening Bid: £400
Group of four carved stone animals comprising: two limestone reclining lions; a green glass lion with head turned, loop to the reverse, socket for attachment of a separate face panel; boar crouching with legs folded beneath the body. 23 grams total, 21-30 mm
Acquired in Europe in 2002. European private collection. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
