Medieval 'Thames' Silver-Gilt Lozenge-Shaped Brooch

Comprising: suspension strap formed as two roundels with stamped pellet clusters and returned end holding the bar of a hinge securing the pendant, a quatrefoil type with its surface divided by bilinear bars into triangular zones, with a stamped rosette in each angle. 16.4 grams, 87 mm



From a UK collection formed in the 1980s. Property of an Essex, UK, gentleman.

Oval seal with a tapering hexagonal-section handle surmounted by a suspension loop, underside with a standing nimbate Saint Catherine, a wheel to her side and an inscription 'SAVNC[T]A CATRINA' surrounding. 11.1 grams, 26 mm



Found Suffolk, UK. Property of a Suffolk, UK, gentleman.

Matched pair of carved stone corbels, each a mythical beast with a rounded body, bat-like wings folded behind the back, long arched neck and reptilian head with gaping mouth; mounted on an integral square-section base with stepped rear face; socket to forward face with bronze insert; some surface accretions. 400 kg total, 118 -121.5 cm



Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13385-259013.

From the Romanesque era onwards, images of demons, often carved on the external sides of cathedrals and churches, were strongly linked to the fantastical and monstrous creatures of ancient myth and legend. For theologians, supernatural creatures which could not otherwise be explained were not of God and therefore had to be demonic: their incorporation in the ecclesiastic structures showed that their malevolent powers could be kept under control only through the protection of the church. This origin of Christian demons is likely to have influenced the visual representation in medieval culture as hybrid and monstrous, especially given the increased interest in Greek works from the twelfth century onwards in the West.