Medieval 'Thames' Silver-Gilt Lozenge-Shaped Brooch

Formed as a cross-crosslet, the symbol of the Knights of the Holy Sepulchre, with a punched-point border. 0.66 grams, 19 mm



Found Suffolk, UK. Property of a Suffolk, UK, gentleman.

The 'Equestrian Order of the Holy Sepulchre of Jerusalem' was an order of knighthood under the protection of the Pope, formed around 1099 AD by Duke Godfrey of Bouillon, the leader of the First Crusade. It was established for the protection of pilgrims travelling to the Holy Land and was recognised by a Papal Bull in about 1113 AD.

Comprising a slender hoop with a high pie-crust bezel with a cabochon turquoise within a rub-over setting. 3.46 grams, 22.77 mm overall, 16.01 mm internal diameter (approximate size British J, USA 4 3/4, Europe 8.69, Japan 8)



Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13328-257948.

This form of decorative ring with central stone setting is relatively common in the medieval period, when a focus on gemstones over metalwork became increasingly common. Several rings of this type are known and appear to have been popular in the 15th century.

Pillar capital for an architectural column or pier decorated with dense vegetation motifs, tapering swags or garlands; reef-knot motif and leaves above; unworked to the reverse. 74 kg total, 51.5 cm high including stand



Ex French collection. Holz Artles, 25 April 2015, no.83. Private collection, Kensington, London. Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13383-259007.

This finely carved capital belongs to a group of Romanesque capitals known as knotwork capitals, widespread in the South of France and North of Spain, where the influence of the architecture of the old Visigothic Kingdom was still strong. These capitals probably originate in one of the most famous sculpture workshops of Romanesque France. The base of the capital is topped by a row of abstractly sculpted acanthus leaves. The dominant section of the capital is decorated with stylised knotwork, composed of ornament that entwine and end in folded acanthus leaves. In between the entwined branches, there is more foliage forming the ‘head of a monster’ which playfully animates the sculpture.