Medieval Stained Glass Section from a Massive Romanesque Window

Comprising a slender hoop and an oval bezel with a crowned T. 5.92 grams, 24.56 mm overall, 20.18 x 19.83 mm internal diameter (approximate size British T 1/2, USA 9 3/4, Europe 21.89, Japan 21)



From a UK collection formed in the 1980s. Property of an Essex, UK, gentleman.

Penannular type with overlapped ends; incised border with fringe detailing, three punched hubs each surrounded by a ring of pellets. 5.75 grams, 22.82 mm overall, 19.53 mm internal diameter (approximate size British T, USA 9 1/2, Europe 21.26, Japan 20)



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

Carved in high relief, depicting an open-fronted wooden structure with a tiled or shingled roof and gabled dormer; beneath the roof, a wickerwork crib with the Christ Child, Mary and Joseph on each side of the crib and gazing down adoringly, a group of angels behind the crib, a pair of shepherds look on from the right, an ox and an ass behind Joseph; suspension wire to the reverse. 9.5 kg, 79.5 cm h x 91 cm w



Private collection, Burgundy, circa 1960s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13552-262840.

The compositional model for this relief comes from the Bladelin Triptych painted by Rogier van der Weyden around 1450, which for the first time set the architectural setting of the stable in which the Nativity takes place on the diamond rather than with its fourth wall parallel to the picture plane. The treatment of the carving and the ambitious planar construction of the stable's roof and columns can be compared with sculpture produced in Freiburg, Colmar and Strasbourg at this date, by artists including Hans Wydyz and Weit Wagner.