Medieval Lead Seal Matrix of Ralph Son of Martin

Niello plaque depicting the marriage ceremony between Mary and Joseph, set in a gilt brass mount with a rope twist border, four loops for attachment. 10.8 grams, 46 mm



Private collection, Europe. Acquired on the Belgian art market.

Niello is a black mixture, usually of sulphur, copper, silver and lead. It is used as an inlay on engraved or etched metal, especially silver. It is added as a powder or paste, then fired until it melts or at least softens and flows or is pushed into the engraved lines in the metal. Men began wearing hat ornaments on their caps from the late fifteenth century, which could be either purely decorative or symbolic. Symbolic examples are traditionally known as enseignes, as they conveyed the wearer’s personal intent or a visible message. These jewels trace their origins to the medieval pilgrim badge, usually mass-produced in base metal. It is believed that this fashion shift to a stylish male accessory began when French king Charles VIII entered Naples in February 1495, wearing a gold circular jewel on his cap, while his men had similar, though not gold, jewels on their caps or sleeves. Italians quickly adopted this trend, which then spread to most European courts. However, this fashion declined in the late sixteenth to early seventeenth century, giving way to the popularity of aigrettes.

Both saints shown nimbate and dressed in voluminous robes, Mary's long hair cascading down her shoulders and holding an ointment jar in her hands. 74.9 grams total, 57-58 mm



Private collection, UK.

Comprising a matched pair of substantial hammer beams from a truss roof, each with a longitudinal slot in the upper face at the rear and socketted brace; slightly tapering square-section body with tiered feather carved detailing, collar of domed bosses on the neck of an angelic head with flounced curls of hair, fleshy facial details with carved eyes and pupils; drilled to accept trennels, some in place; some gilding and pigment present; some longitudinal splitting. 80.5 kg total, 142 cm each



From a family collection for over 60 years. From a late friend of Mr Robin Cox of Newark, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13033-247084.