Medieval Knight's Enamelled Bronze Heraldic Horse Harness Pendant Group

Matched pair of carved stone corbels, each a mythical beast with a rounded body, bat-like wings folded behind the back, long arched neck and reptilian head with gaping mouth; mounted on an integral square-section base with stepped rear face; socket to forward face with bronze insert; some surface accretions. 400 kg total, 118 -121.5 cm



Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13385-259013.

From the Romanesque era onwards, images of demons, often carved on the external sides of cathedrals and churches, were strongly linked to the fantastical and monstrous creatures of ancient myth and legend. For theologians, supernatural creatures which could not otherwise be explained were not of God and therefore had to be demonic: their incorporation in the ecclesiastic structures showed that their malevolent powers could be kept under control only through the protection of the church. This origin of Christian demons is likely to have influenced the visual representation in medieval culture as hybrid and monstrous, especially given the increased interest in Greek works from the twelfth century onwards in the West.

A finely carved late Gothic group depicting two kneeling angels supporting the Cross, executed in walnut with a deep, time-worn patina, the angels, shown in reverent adoration, kneeling upon a naturalistic ground, their flowing drapery falling in deep, angular folds; each figure gently steadying the cross with expressive, delicately carved hands; on the reverse apertures indicating the former attachment of separately carved wings, now lost; the recessed compartments within the cross retaining traces of red pigment, suggesting that it originally housed relics or fragments of the True Cross; accompanied by a fabric-covered display stand. 6.4 kg total, 40.7 cm high



Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13380-258014.

The composition is devotional in nature and was likely conceived as part of a larger altarpiece or reliquary ensemble dedicated to the Adoration or Exaltation of the Holy Cross. The sculptor’s sensitive modelling and rhythmic treatment of drapery reflect the refined workmanship characteristic of the Southern Netherlands during the early sixteenth century.

Mixed group including a gilt buckle plate with lion statant; a pilgrim's ampulla; a zoomorphic finial; a gilt pendant; and others. 72.8 grams total, 12-53 mm



Found North Yorkshire, UK.