Medieval Knight's Bronze Heraldic Horse Harness Pendant

With discoid bezel, incuse border and fleur-de-lys motif. 8.74 grams, 23.55 mm overall, 19.64 mm internal diameter (approximate size British T 1/2, USA 9 3/4, Europe 21.89, Japan 21)



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman.

D-section hoop and disc bezel with 'R' between fronds and crown above; attached to a collector's card with sample seal impression. 7.43 grams, 25.67 mm overall, 20.66 mm internal diameter (approximate size British T 1/2, USA 9 3/4, Europe 21.89, Japan 21)



From the collection of Dame Joan Evans (1893-1977), thence gifted during her lifetime to a gentleman collector friend from South East England.

Dame Joan Evans, DBE, FSA, FRHistS, enjoyed a long and distinguished career as an author and historian. She was appointed the president of the Society of Antiquaries in 1959, the first woman to hold this position, serving until 1964. From 1948 to 1951, Joan Evans served as President of the Royal Archaeological Institute. She received the Society’s gold medal in 1973. Joan Evans was honoured with a host of honorary degrees and fellowships, as well as fellowships of the Royal Historical Society and the Royal Society of Literature. She was a Chevalier of the Légion d’Honneur, and was appointed a Dame of the British Empire in 1976. She served as a trustee of both the London and the British museums, and as a member of the advisory council of the Victoria and Albert Museum.

Carved stylised elephant with elongated ears supporting a palanquin in the form of a caste with a carved cross, foliage motif to the reverse; mounted on a velvet-covered stand. 1.31 kg total, 34.2 cm including stand



Private collection, Europe. Acquired on the English art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13088-248391.

The image of an elephant carrying warriors in a howdah originated from Alexander the Great's battle against King Porus's war elephants at the Battle of Hydaspes in 326 BC. This motif became widely known in European art through the spread of Bestiaries which were medieval texts combining natural history with moralising Christian stories. One of the most well known was Matthew Paris’s imagined depictions of elephants, most notable in this case is his war elephant illustrated in Chronica maiora II, circa 1240-1255 (Cambridge, Corpus Christi College, MS 016II). Another well known manuscript - The Rochester Bestiary, circa 1230-1240 (British Library, London, Royal MS 12 F.xiii) contains a miniature with a war elephant in the midst of battle, above another image of elephants supposedly in their natural habitat. Since very few live elephants were seen in Europe during the medieval period, their representations were often more imaginative than realistic. Other Medieval bench end carvings of elephants in English churches are known, amongst them are: St Peter and St Paul, Tuttington, Norfolk; St Andrew, South Lopham, Norfolk; St Edmund, South Burlingham, Norfolk; St Andrew, Holme Hale, Norfolk. Elephants can also be found on misericords, some examples can be found at: Cathedral Church of Saint Peter, Exeter; Cathedral Church of St Peter, Gloucester; and St Mary's Church, Beverley.