Medieval Knight's Bronze Heraldic Horse Harness Pendant with Shield

Matched pair of carved stone corbels, each a mythical beast with a rounded body, bat-like wings folded behind the back, long arched neck and reptilian head with gaping mouth; mounted on an integral square-section base with stepped rear face; socket to forward face with bronze insert; some surface accretions. 400 kg total, 118 -121.5 cm



Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13385-259013.

From the Romanesque era onwards, images of demons, often carved on the external sides of cathedrals and churches, were strongly linked to the fantastical and monstrous creatures of ancient myth and legend. For theologians, supernatural creatures which could not otherwise be explained were not of God and therefore had to be demonic: their incorporation in the ecclesiastic structures showed that their malevolent powers could be kept under control only through the protection of the church. This origin of Christian demons is likely to have influenced the visual representation in medieval culture as hybrid and monstrous, especially given the increased interest in Greek works from the twelfth century onwards in the West.

Featuring a large round-section hoop and raised cell set with a polished sapphire cabochon. 2.03 grams, 26.68 mm overall, 19.10 x 19.45 mm internal diameter (approximate size British R 1/2, USA 8 3/4, Europe 19.38, Japan 18)



Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13388-258005.

During the Middle Ages, gemstones were often associated with magical and protective properties they were believed to possess. Gemstones could protect against evil or poisons, as well as heightening the individual’s characteristics and strengths. Sapphires were frequently worn by Bishops and other clergy, due to their ability to promote their bearer’s chastity and piety. Sapphires were believed to be able to change colour if the wearer acted sinfully or lacked faith; it was because of this belief that jewels set with sapphires were worn as symbols of honesty and devout faith.

Featuring the crucified Christ with his arms splayed on the cross, wearing a loincloth and a small cross placed above his head. 7.5 grams, 51 mm



From a European collection, 1990s. Accompanied by a previous dealer's sales ticket.