Loading, please wait...
LOT 1381
Medieval Knife with Bronze Pommel and Veiled Figure
CIRCA 1500 A.D.
7 1/8 in. (22.7 grams, 18.2 cm long).
A scale tanged knife with iron blade and single cutting edge, wooden scales, bronze pommel incised with a veiled female figure to one face and a male figure to the other; remains of gilding to the neck of the handle.
ProvenanceAcquired 1960s-1990s.
Late Alison Barker collection, a retired London barrister.
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 1381
Medieval Knife with Bronze Pommel and Veiled Figure
Estimate £200 - 300€230 - 350 (for guidance only)$270 - 410 (for guidance only)
-
Tudor Gold '+Amor Vincit' Decorated Posy Ring
Circa 16th century A.D.Sold for (Inc. bp): £1,235
A gold posy ring with raised foliate band externally, inscribed '+AMOR VINCIT' for 'Love Conquers' in Roman capitals. 1.72 grams, 17.46 mm overall, 15.47 mm internal diameter (approximate size British I, USA 4 1/4, Europe 7.44, Japan 7)
Acquired on the UK antiques market between 1974-1985. Albert Ward collection, Essex, UK.
Omnia vincit amor, translating to 'Love Conquers All' and abbreviated on this ring, is one of the most famous of all Latin expressions. It is still used today, in the original Latin, in translation and in its alternative version ‘Amor vincit omnia’; the expression originally comes from the Roman poet Virgil, (Publius Vergilius Maro) most famous for his epic Aenid; the phrase appears in his first work, Eclogues. -
Medieval Ring with Standing Figure
12th-14th century A.D.Sold for (Inc. bp): £39
A copper-alloy ring composed of a hoop expanding at the shoulders to a large sub-circular bezel, engraved with an animated stylised figure with enigmatic symbols in the field, all within a roundel. 5.03 grams, 23.74 mm overall, 21.11 mm internal diameter (approximate size British W, USA 11, Europe 25, Japan 24)
Private collection formed since the 1940s. UK art market. Property of an Essex gentleman. -
'The Chinnor' Medieval Gold 'None So Well' Decorated Posy Ring
Circa 1400-1500 A.D.Sold for (Inc. bp): £2,210
A gold posy ring composed of a waisted band with pearled and raised upper and lower borders, each decorated with a circumferential ring of pellets, the central section engraved with a blackletter French inscription: 'nul ce bien' ('none so well'), each word separated by sunbursts and flowers; plain interior. 1.83 grams, 18.11 mm overall, 16.35 mm internal diameter (approximate size British J 1/2, USA 5, Europe 9.32, Japan 9)
Found whilst searching with a metal detector by Kevin Ford on 25th January 2020 in Chinnor, South Oxfordshire, UK. Accompanied by a copy of the British Museum's Portable Antiquities Scheme Report (PAS) number OXON-FF9F8E. Accompanied by a letter to HM Coroner for Oxfordshire from the Treasure Registrar at the British Museum disclaiming the Crown's interest in the ring with treasure reference number 2020 T76. Accompanied by a letter from the finder detailing the circumstances of the find. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11657-196665.
French Gothic blackletter inscriptions on finger rings were associated with the culture of chivalry and courtly love; a historic example of gifts and tokens as expressions of love. Some scholars note that black letter inscriptions are prevalent on love rings between the 13th-15th centuries. Although such rings could be both English and French in origin, it is believed that most were English, with French inscriptions. Note that the PAS offers a different interpretation of the inscription on this ring.