Medieval Iron Artefact Group

The majority bearing initials, including a crowned IHC monogram; blackletter 'B'; a possible cross cercelee within a double roundel and pellet border; together with other motifs and initials. 59 grams total, 27-52 mm



Acquired on the UK market, 1990s. Property of a retired academic.

Of vesica shape and bearing the central device of a crouching squirrel with tail raised over its back and inscribed incuse and reversed +S'IO+h'IS+DE D+VhTO which may be interpreted as Seal of John of Duhto [an uncertain place or abbreviation of a place name]; the presence of multiple crosses within the inscription which do not appear to divide words is unusual; with raised loop to the reverse. 5.79 grams, 25 mm



Found whilst searching with a metal detector in the former grounds of the preceptory at Temple Bruer with Temple High Grange, Lincolnshire, UK, by Steve Lane at 1pm on Sunday 5th February 2023. Accompanied by a copy of the British Museum's Portable Antiquities Scheme report reference SWYOR-17DA60.

Vesica-shaped seal matrices are often associated with the clergy or others with religious connections so this matrix could be directly associated with the Knights Templar preceptory at Temple Bruer (founded in reign of Henry II) where it was found, or with a Templar visitor there; the appearance of four crosses to the inscription, in place of the more usual single cross at the start/finish of the wording (in this case at the head of the squirrel), is unusual and may be linked to the particular significance of crosses to the Knights Templar members.

Carved naturalistically in the round as a mature male figure with short wavy hair, full beard and moustache, his brow furrowed and mouth held slightly ajar; repaired. 3.8 kg, 18 cm



Acquired in Europe before 1996. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11809-206816.

The head was carved as an image of a saint, Apostle or a prophet. The accomplished and sophisticated style of carving on this head can be compared to some of the most celebrated Romanesque buildings of Southern France. The carving of the head resembles the representations of heads and faces of 12th century French Romanesque art, for example those of Saint Trophime in Arles. This imposing head once served as an important architectural part of a lavishly decorated church, possibly in western France. Its form and the size suggest that the head was not only decorative but that it would have been structurally important – perhaps part of a row of statues of apostles and prophet like those depicted on the Saint Trophime façade.