Medieval Iron Anti-Cavalry Caltrop Group

Comprising four scaphoid lead slingshots (glandes), each with traces of low-relief inscription(s) referring to 'CN P[OMPEIUS]'. 216 grams total, 37-50 mm



Ex M.Cummings, UK, 1990s.

These shots (mainly of type IIb of the Völling classification) are marked with the abbreviated name of Cn.Pompeius; they were used in quantity at the Battle of Monda (or Munda) against the Caesarian troops, by the followers of Pompey, on 17th March 45 B.C. Similar missiles were used in the civil war between Pompey and Caesar, and in all Caesar's wars. The projectiles of the slingers could be in lead (glandes) or in pottery or stone (lapides). Sometimes they were signed with the name of the general, or used to report some injuries, for example the sling missile found in Alesia with the name of Labienus.

Comprising an embossed fragment of a breast-plate from muscle-type armour (thorax statos) representing Herakles fighting against the Hydra of Lerna; three-quarters of the hero's body preserved showing him naked in a dynamic position, wearing a fluttering short cloak (chlamys), overlooking the body of the monster of which the long tail covered with scales and fins is visible; fragment of cloak preserved separately. 122 grams total, 3.4-17.5 cm

Good portion of armour, extremely rare

Acquired on the French art market before 2000. From an EU collection before 2020.

This kind of armour is very rare, especially for this period, when most of the attested armour is plain or only slightly decorated. The young Herakles appears in heroic nudity running to the right, but, as on the cheek-piece from Gurlo, his head was probably turned in the opposite direction. The plasticism of the scene finds a good match in the Thracian tradition of the representation of weapons and armour, and the embossed elements with the highly prized work of the Panagyurishte treasure. The warrior-theme and the representation of Herakles or other fighting scenes on the Thracian and Hellenistic armours was a reference to the spirit of the immortal fighter.

Comprising four sword belt strap ends of roughly rectangular form, with one rounded or gabled end and one fishtail end, each bearing a different nielloed decorative scheme, comprising: one with split front plate bearing geometric foliage framed by radiating lines to the perimeter; one with pelletted border and medial scrolled bar; one displaying a medial row of circular recesses and surrounding circular motifs; one decorated with five medial circular recesses on a ground of foliate forms, pellet border; all with a set of mounting lugs to the reverse. 34 grams total, 37-50 mm

Fine condition.

Acquired in the 1980s-1990s. Ex an important central London gallery, London W1.

During the medieval period, belts had a range of functions. They girdled the clothes and enabled suspension of small items such as knives, whetstones, purses and leather bags. The decoration of the belt depended on the social status of its owner: peasants wore woven and simple leather straps, whereas feudal lords, prominent warriors, and princes wore golden belts, which were passed down through the generations.