Medieval Iron Anti-Cavalry Caltrop Group

British infantry officer's sword - 1796 pattern with lion-head pommel and knuckle-guard, short curved quillon to the rear; leather scabbard with brass fittings and escutcheon below the frog with the legend 'R. Johnston / late / Bland & Foster / Sword Cutler / & Belt Maker to his / Majesty / -68- / St. James's St/ London'; guilloche detailing to the border and to the langets; hollow-ground blade with inlaid brass Arabic script to both faces, possibly a trophy from the Battle of the Nile in August, 1798. 1.23 kg, 95 cm total



From a Suffolk, UK, private collection.

Richard Johnston took over the sword- and belt-making business from John Bland, who died in 1791, and his surviving partner, Robert Foster, who died in 1798. After Bland's death, Foster and Johnston moved their premises from 70 St. James's Street to number 68 in the same street, and continued the business until Foster's death in 1798, after which Johnston took on another shop, then displaying the address as '38 & 68 St. James's Street'. The cartouche gives the address as '68 St. James's Street', which shows that the sword was produced, finished and sold in 1798.

Egg-shaped with spiked sleeves or prongs, the top of the weapon with narrow edge, the sleeves with small internal tangs for mounting. 237 grams, 14 cm



Acquired 1980-2015. Ex Abelita family collection.

The 'claw mace' was an enigmatic ancient bronze weapon from the Bronze Age Near East. The hollow bulbous head was trailed by tines of varying lengths. It is believed that it was affixed over a wooden shaft and used like a club in combat, and not necessarily used as ceremonial weapon. The knife edge bulb end could have broken bones and proven to be a formidable striking weapon requiring no skill to wield. The tines would have not only been decorative, but have served to add strength below the striking end to prevent breakage. In battle, maces were often used by commanders to display rank when giving orders in battle and leading soldiers, inspiring leadership and power.

Comprising an embossed fragment of a breast-plate from muscle-type armour (thorax statos) representing Herakles fighting against the Hydra of Lerna; three-quarters of the hero's body preserved showing him naked in a dynamic position, wearing a fluttering short cloak (chlamys), overlooking the body of the monster of which the long tail covered with scales and fins is visible; fragment of cloak preserved separately. 122 grams total, 3.4-17.5 cm

Good portion of armour, extremely rare

Acquired on the French art market before 2000. From an EU collection before 2020.

This kind of armour is very rare, especially for this period, when most of the attested armour is plain or only slightly decorated. The young Herakles appears in heroic nudity running to the right, but, as on the cheek-piece from Gurlo, his head was probably turned in the opposite direction. The plasticism of the scene finds a good match in the Thracian tradition of the representation of weapons and armour, and the embossed elements with the highly prized work of the Panagyurishte treasure. The warrior-theme and the representation of Herakles or other fighting scenes on the Thracian and Hellenistic armours was a reference to the spirit of the immortal fighter.