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LOT 1843
Medieval Bronze Ring with Petalled Flower
12TH-14TH CENTURY A.D.
7/8 in. (5.92 grams, 21.49 mm overall, 19.25 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15)).
With a wide hoop and an oval bezel with an eight-petalled flower on a pointillé-decorated field. [No Reserve]
ProvenanceEx German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
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LOT 1843
Medieval Bronze Ring with Petalled Flower
Estimate £40 - 60€46 - 70 (for guidance only)$54 - 81 (for guidance only)
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Medieval Bronze and Lead Seal Matrix Group
Circa 12th-14th century A.D.Estimate: £40 - 60 (+bp*)
Opening Bid: £5
Comprising three vesica seal matrices, one with an intact loop, and a circular lead seal matrix with a rosette. 27.6 grams total, 20-37 mm
From the private collection of a Sussex, UK, gentleman. -
Medieval Bronze Knight's Holy Sepulchre Badge
Circa 13th-14th century A.D.Estimate: £40 - 60 (+bp*)
Bids: 1 | Current Bid: £5
Formed as a cross-crosslet, the symbol of the Knights of the Holy Sepulchre, with a punched-point border. 0.66 grams, 19 mm
Found Suffolk, UK. Property of a Suffolk, UK, gentleman.
The 'Equestrian Order of the Holy Sepulchre of Jerusalem' was an order of knighthood under the protection of the Pope, formed around 1099 AD by Duke Godfrey of Bouillon, the leader of the First Crusade. It was established for the protection of pilgrims travelling to the Holy Land and was recognised by a Papal Bull in about 1113 AD. -
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Large Medieval Stone Church Gargoyles
England, 15th century A.D.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,500
Matched pair of carved stone corbels, each a mythical beast with a rounded body, bat-like wings folded behind the back, long arched neck and reptilian head with gaping mouth; mounted on an integral square-section base with stepped rear face; socket to forward face with bronze insert; some surface accretions. 400 kg total, 118 -121.5 cm
Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13385-259013.
From the Romanesque era onwards, images of demons, often carved on the external sides of cathedrals and churches, were strongly linked to the fantastical and monstrous creatures of ancient myth and legend. For theologians, supernatural creatures which could not otherwise be explained were not of God and therefore had to be demonic: their incorporation in the ecclesiastic structures showed that their malevolent powers could be kept under control only through the protection of the church. This origin of Christian demons is likely to have influenced the visual representation in medieval culture as hybrid and monstrous, especially given the increased interest in Greek works from the twelfth century onwards in the West.
