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LOT 1943
Medieval Bronze Clasped Hands Wedding Ring
16TH-18TH CENTURY A.D.
3/4 in. (2 grams, 20.43 mm overall, 18.10 mm internal diameter (approximate size British O 1/2, USA 7 1/4, Europe 15.61, Japan 15)).
Bezel formed as two clasped hands, each emerging from a lobed cuff. [No Reserve]
ProvenanceEx German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
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AUCTIONS:
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Medieval Bronze Ring with Stylised Horse
12th-13th century A.D.Sold for (Inc. bp): £39
Comprising a large D-section hoop, raised collars on the shoulders, an oval bezel with an incuse image of a horse facing back. 8.68 grams, 25.84 mm overall, 19.22 mm internal diameter (approximate size British S 1/2, USA 9 1/4, Europe 20.63, Japan 19)
Acquired on the UK and EU art market before 2000. From the private collection of a Surrey, UK, gentleman.
In these rings, dated 12th-13th century A.D., the semicircular cross-section link on the front side transitions into an elongated and flattened, elliptical head. The carved decoration on the bezel is very rough, borrowing themes from the Romanesque art. -
Medieval Bronze Ring Brooch Collection
14th-15th century A.D.Sold for (Inc. bp): £52
Including circular type with six cells to the hoop, hexagram and other types, one with the inscription 'IhESVS Nazarenvs' [Jesus of Nazareth]. 17.39 grams total, 24-33 mm
Found Norfolk, UK. -
Medieval Gilt and Niello Hat Badge with Marriage of the Virgin
Italy, circa 1500 A.D.Sold for (Inc. bp): £1,430
Niello plaque depicting the marriage ceremony between Mary and Joseph, set in a gilt brass mount with a rope twist border, four loops for attachment. 10.8 grams, 46 mm
Private collection, Europe. Acquired on the Belgian art market.
Niello is a black mixture, usually of sulphur, copper, silver and lead. It is used as an inlay on engraved or etched metal, especially silver. It is added as a powder or paste, then fired until it melts or at least softens and flows or is pushed into the engraved lines in the metal. Men began wearing hat ornaments on their caps from the late fifteenth century, which could be either purely decorative or symbolic. Symbolic examples are traditionally known as enseignes, as they conveyed the wearer’s personal intent or a visible message. These jewels trace their origins to the medieval pilgrim badge, usually mass-produced in base metal. It is believed that this fashion shift to a stylish male accessory began when French king Charles VIII entered Naples in February 1495, wearing a gold circular jewel on his cap, while his men had similar, though not gold, jewels on their caps or sleeves. Italians quickly adopted this trend, which then spread to most European courts. However, this fashion declined in the late sixteenth to early seventeenth century, giving way to the popularity of aigrettes.
