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LOT 1710
Medieval and Other Bronze Horse Harness Pendant Group
CIRCA 13TH-16TH CENTURY A.D.
7/8 - 1 1/2 in. (42.2 grams total, 23-40 mm).
All with a clear or occluded suspension loop; most displaying a floral or other openwork design. [7, No Reserve]
ProvenanceAcquired on the UK art market.
Property of a Ruislip, UK, gentleman, by inheritance.
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AUCTIONS:
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Medieval Bronze Ring Brooch Collection
13th-15th century A.D.Sold for (Inc. bp): £39
Each created to a different design and with full or partial remains of an articulate tongue. 17.7 grams total, 16-40 mm
Acquired on the UK art market. Property of a Ruislip, UK, gentleman, by inheritance. -
Medieval Silver Bracteate with Seated Figure
Germany, 11th century A.D.Estimate: £200 - 300 (+bp*)
Opening Bid: £111
Repoussé work with an enthroned figure holding cross-on-globe and a sceptre. 0.95 grams, 31.5 mm
Fine condition.
Acquired on the European art market between 1975-2000. Ex property of a Dutch collector. -
Medieval Romanesque Marble Head of a Saint
Late 12th-13th century A.D.Estimate: £5,000 - 7,000 (‡+bp*)
Opening Bid: £2,222
Carved naturalistically in the round as a mature male figure with short wavy hair, full beard and moustache, his brow furrowed and mouth held slightly ajar; repaired. 3.8 kg, 18 cm
Acquired in Europe before 1996. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11809-206816.
The head was carved as an image of a saint, Apostle or a prophet. The accomplished and sophisticated style of carving on this head can be compared to some of the most celebrated Romanesque buildings of Southern France. The carving of the head resembles the representations of heads and faces of 12th century French Romanesque art, for example those of Saint Trophime in Arles. This imposing head once served as an important architectural part of a lavishly decorated church, possibly in western France. Its form and the size suggest that the head was not only decorative but that it would have been structurally important – perhaps part of a row of statues of apostles and prophet like those depicted on the Saint Trophime façade.
