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LOT 1721
Medieval and Later Bronze Artefact Group
CIRCA 12TH-20TH CENTURY A.D.
5/8 - 3 3/4 in. (656 grams total, 16-96 mm).
Including complete and fragmentary furniture fittings; strap ends; mounts; buttons, together with other miscellaneous items. [91, No Reserve]
ProvenanceFound Berkshire, UK.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Medieval Stained Glass Panel with an Angel
Switzerland, circa 1500-1550 A.D.Sold for (Inc. bp): £546
With circular lead came frame, painted image of a nimbate angel with wings spread supporting a heraldic shield with quartered arms on a blue celestial field. 416 grams, 23 cm wide
Alder Nordmann, 11 May 2021, lot 97. Ex central London gallery. -
Large Medieval Bronze Seal Matrix with Scene Showing Robed Figures
14th-15th century A.D.Estimate: £200 - 300 (+bp*)
Opening Bid: £111
With facetted stem and pierced pentagonal finial, incised orientation cross to top face; circular die with outer rim bearing enigmatic legend; standing robed figure with one hand extended towards a kneeling hooded figure. 15.5 grams, 25.3 mm
Fine condition.
Acquired 1970s. Ex UK collection. Property of a Hampshire, UK gentleman. -
Medieval Romanesque Marble Head of a Saint
Late 12th-13th century A.D.Estimate: £5,000 - 7,000 (‡+bp*)
Opening Bid: £2,222
Carved naturalistically in the round as a mature male figure with short wavy hair, full beard and moustache, his brow furrowed and mouth held slightly ajar; repaired. 3.8 kg, 18 cm
Acquired in Europe before 1996. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11809-206816.
The head was carved as an image of a saint, Apostle or a prophet. The accomplished and sophisticated style of carving on this head can be compared to some of the most celebrated Romanesque buildings of Southern France. The carving of the head resembles the representations of heads and faces of 12th century French Romanesque art, for example those of Saint Trophime in Arles. This imposing head once served as an important architectural part of a lavishly decorated church, possibly in western France. Its form and the size suggest that the head was not only decorative but that it would have been structurally important – perhaps part of a row of statues of apostles and prophet like those depicted on the Saint Trophime façade.
