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LOT 2348
Medieval and Later Bronze and Other Artefact Group
13TH-20TH CENTURY A.D.
3/8 - 1 1/2 in. (284 grams total, 9-38 mm).
Mixed group of items, including buttons, buckles, coins, lead seals, and others. [58, No Reserve]
ProvenanceAquired on the UK art market circa 1990s.
From the collection of a Yorkshire, UK, gentleman.
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AUCTIONS:
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LOT 2348
Medieval and Later Bronze and Other Artefact Group
Estimate £20 - 40€23 - 46 (for guidance only)$27 - 54 (for guidance only)
Opening Bid
£5 (EUR 6; USD 7) +BP*
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Large Medieval Bronze Seal Matrix with Lion
Circa 13th-14th century A.D.Estimate: £80 - 100 (+bp*)
Opening Bid: £5
Discoid type with lion passant and legend to the border 'S' [..]MI +FILII+ PITI [...]', supplied with an impression. 10.8 grams, 36 mm
Found Romney Marsh area, Kent, 1990-2015. Property of a Kent gentleman, a specialist medieval collector. -
Large Medieval Knight's Bronze Heraldic Horse Harness Roundel with Lion
Circa 13th-15th century A.D.Estimate: £300 - 400 (+bp*)
Opening Bid: £150
Discoid with ropework border and pelleted ring, reserved voided hexafoil enclosing a seated lion; stud to reverse. 40.2 grams, 61 mm
Found Romney Marsh area, Kent, 1990-2015. Property of a Kent gentleman, a specialist medieval collector. -
Medieval Stone Sculpture of St Mary Magdalene
France, early 15th century A.D.Estimate: £3,000 - 4,000 (‡+bp*)
Bids: 7 | Current Bid: £270
Modelled in high relief with dorsal pillar; maiden in advancing pose with fillet to the brow and curly tresses falling to the shoulders, girdle with loop and chain to the waist, copious folds of the robe lifted by the left hand, right hand at waist-height; mounted on a custom-made stand. 21.5 kg total, 70 cm high including stand
French-Swiss private collection. The items were acquired in the 2010s to be displayed on the property in Ain, France. Following the move, they disposed of some of the items. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13514-262848.
By the early 13th century, bodies in Gothic sculpture acquired more three-dimensional mass, more flexibility, more natural poses and drapery, and individual faces. Later 13th-century sculpture gave up this monumental power for more specific anatomy, actions, and emotions. Late 14th -century and 15th-century work continued in the direction of greater mass and more detailed faces.