Massive Amlash Bronze Spearhead Blade

Composed of arched openwork shanks with looped terminals; one end fitted with large hoops and bar between; one end with a tripartite mouthpiece comprising two collared bars connected by a central hoop; Byzantine or early Ottoman. 340 grams, 19.5 cm



Collection of Dr Hanns-Ulrich Haedeke (1928-2017), author of ‘Schmuck Aus Drei Jahrtausenden’ and who became the director of the Museum of Klingenmuseum in Solingen, Germany, in 1968; the collection was formed in the early 1960s. From an important private Dutch collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

This type of horse bit is visible on one of the most important equestrian artworks of the 15th century - the Cappella dei Magi by Benozzo Gozzoli, a painting representing the Three Kings visiting Christ, depicted in costumes belonging to the early quarter of the 15th century. All the cavalrymen in the artwork had heavy curb-bits (with short and curved shanks, as in our specimen) and heavy, single reins.

A biconical facetted lentoid-section lead sling shot (glans), inscription monogram a combination of letters 'C', 'A' and 'E', for 'C A E S' referring to Julius Caesar. 56.8 grams, 45 mm



Acquired on the UK art market. Property of a gentleman collector. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 4th May 2022 and titled 'Roman Res Publica - Lead Slingshots (glandes) of Caesarian Age - 45 B.C circa'. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The shot (type IIb of the Völling classification) is marked with the abbreviated name of Julius Caesar; it was used in quantity at the Battle of Monda (or Munda) against the last followers of Pompey, the leaders of the Optimates, on the 17th March 45 BC. Similar shots were used in Caesar's wars, and slingers of Caesar's age were part of the light infantry. Caesar speaks of his Balearic slingers during the conquest of Gaul. They wore a short tunic, with leather or rope sandals to the feet, and a warm overcoat which could also have been used to store projectiles. They also used a satchel to carry very deadly lead-like stones or bullets.

With lentoid-section blade, tongue-shaped in plan, with integral tapering hilt with flared finial, lateral flanges to accept an organic panel forming the grip. 245 grams, 41 cm



Acquired 1980-2015. Ex Abelita family collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The art of Luristan can be described as the art of nomadic herdsmen and horsemen with an emphasis on the crafting of small, easily portable objects, among these a great number of bronze weapons. The rich and noble aristocrats of the Luristan, Elamites, Hurrians, Lullubians, Kutians, and Kassites, went to battle splendidly equipped and wore magnificent bronze armour, using maces, spears and daggers as offensive weapons, alongside spears, bows and arrows.