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LOT 0351
Marble Fountain Sculpture of a Putto Wrestling a Fish
BAROQUE, 17TH CENTURY A.D.
18 7/8 in. (20.75 kg, 48 cm).
Standing on an angular base resting his left knee on the open jaws of a fish, his left arm holding the jaws open, the body and tail held upright be the raised right hand (partly absent); with heavy sulphured patina. [No Reserve]
ProvenanceAcquired prior to 1970.
From the estate of a Swiss gentleman, Ticino.
Private collection, Zurich, Switzerland.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12790-240308.
Cf. for similar Roman original sculptures Balász Kapossy, Brunnenfiguren der hellenistischen und römischen Zeit, Juris Druck & Verlag Zurich, 1969; E. Curtius, 'Brunnenfiguren im Museum zu Neapel' in Archäologische Zeitung 1879, Tafel 1, boy with frog.
FootnotesIn ancient Roman art and architecture, fountains were often decorated with sculptures of young boys or putti holding fish. These sculptures were known as 'putti with fish' or 'boy with fish' and were a popular motif in the decoration of fountains. The young boy or putto was shown holding a fish or a shell, which would spout water into the fountain basin below. The fish was a particularly popular motif because it symbolised abundance, fertility, and prosperity, which were all important values in ancient Roman society. Overall, the putti with fish sculptures are a notable example of the art and architecture of ancient Rome and have continued to be an enduring symbol of beauty, abundance, and prosperity throughout the centuries. Archaeological excavations in Pompeii have revealed many examples of sculptures of putti with fish. The putti with fish sculptures from Pompeii were usually made of bronze, marble, or terracotta. They were often placed in the centre of the fountain, surrounded by other decorative elements such as flowers, plants, and other sculptures. Many of these putti with fish sculptures are now on display in the National Archaeological Museum of Naples. The museum also houses a famous mosaic of a putto with a fish, which was discovered in the House of the Faun in Pompeii. The putti with fish sculptures from Pompeii and those in the Naples Museum provide valuable insights into the art and culture of ancient Rome. They demonstrate the importance of beauty and abundance in ancient Roman society and offer a glimpse into the everyday life of the people who lived in Pompeii over two thousand years ago. In the 17th and 18th centuries these sculptures were imitated and used to decorate the fountains of royal palaces and palaces.
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LOT 0351
Marble Fountain Sculpture of a Putto Wrestling a Fish
Estimate £4,000 - 6,000€4,640 - 6,960 (for guidance only)$5,400 - 8,100 (for guidance only)
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Bactrian Style Carnelian Bead Necklace String
20th century A.D.Estimate: £50 - 70 (+bp*)
Opening Bid: £5
Composed of barley twist and melon beads with a large melon bead at the centre, restrung. 49 grams, 47.5 cm
Acquired in the 1990s-early 2000s. Ex London, UK, collection. -
Renaissance Gold Ring with Carnelian Gemstone of a Resting Hero
Western Europe, 16th-early 17th century A.D.Estimate: £5,000 - 7,000 (+bp*)
Opening Bid: £2,500
Comprising a round-section hoop with foliate decoration on the shoulders, oval setting with a beaded border and gadrooned underside, set with a dark carnelian intaglio depicting a warrior hero, in heroic nudity, resting after the battle; such images usually referring to the god Ares or heroes like Achilles or Theseus; supplied with a museum-quality impression. 4.66 grams, 23.39 mm overall, 17.88 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)
Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13394-257950. -
Silver-Gilt Mounted Jet 'Figa' Amulet
Spain, 17th century A.D.Estimate: £600 - 800 (+bp*)
Opening Bid: £300
Formed as a hand showing figa gesture, silver mount with applied twisted wires; attachment loop and ring to the top. 19.6 grams, 56 mm
Private collection, Europe. Acquired on the English art market.
Mano Fico, as protective amulets, have been used since antiquity. It was believed to protect from the evil eye and other dark and magical forces and to promote fertility. In ancient Rome, the fig sign, or mano fico, was made by the pater familias (father of the family) to ward off the evil spirits of the dead as a part of the Lemuria ritual. The ancient Greeks wore amulets of the gesture around the neck to protect from the evil eye, and also used the gesture in artwork. What they considered an overtly sexual gesture was expected to distract evil spirits from causing harm. The pendant would have been worn from a belt or from a chatelaine containing other protective talismans. This carving would have served as a token representing a person's pilgrimage to Santiago de Compostela, one of the very few places in which jet can be found and mined since at least the Middle Ages.