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LOT 0402
Marble Archaic Kouros Statue
20TH CENTURY A.D.
28 in. (16.5 kg, 71 cm high).
A Greek style marble archaic kouros statue carved with braided hair held by a diadem, arms held straight at the sides, legs in advancing pose.
ProvenanceFrench collection, 1960s-early 2000s.
From an important Paris gallery, France.
The kouros (free-standing nude male youth) first appeared in ancient Greece in the Archaic Greek period; kouros figures have been found across the Greek-speaking world, concentrated mainly in sanctuaries of Apollo. The term means ‘male youth, particularly one of noble rank’; when a pubescent boy came of age in ancient Greece, he was known as a kouros, at which point he could participate in the initiation feast of the brotherhood. The god Apollo was known as the greatest kouros. Typically life-sized, these figures were produced in marble, but have also been found in limestone, wood, bronze and terracotta. The female counterpart is the kore.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Statue of Venus of the Dolphin
19th century A.D.Sold for (Inc. bp): £1,300
A white marble statue of Venus of the Dolphin, modelled naturalistically in the round, nude, posed to preserve her modesty, two putti riding the dolphin; set on an oval base; after a Roman copy of a Hellenistic original; some damage and old repairs. 24.7 kg, 77 cm high
French collection, 1960s-early 2000s. From an important Paris gallery, France. with Ader Auction, Paris, France, 24th November 2017, lot 218.
The Venus of the Dolphin is a carrera marble statue dating from the 4th century B.C. which inspired copies dating from the Roman period, some of which survive and are housed in the Prado Museum, Madrid and the Capitoline Museum in Rome and elsewhere. -
Limestone Madonna and Child Statue
Circa 16th century A.D.Sold for (Inc. bp): £546
A carved volcanic tuff figurine of Mary standing holding the infant Jesus. 1.5 kg, 26.5 cm high
From Southern Europe. Acquired 1970s onwards. Private collection of Michael O'Hara (d. 2021), Cambridgeshire, UK. -
Large Russian Anastasis Icon with Twelve Feasts
18th century A.D.Estimate: £500 - 700 (+bp*)
Opening Bid: £225
A tempera on wood Anastasis icon with a large central panel surrounded by twelve smaller scenes representing the twelve feasts of the Orthodox church; the central image depicting Christ‘s descent into Hell and Resurrection, the smaller scenes depicting, clockwise from top left: the birth of the Virgin Mary; the presentation of the Virgin Mary to the temple; the Annunciation; the Nativity; the presentation of Christ to the temple; the Epifania (Baptism); the entrance to Jerusalem; the Metamorphosis (Transfiguration); the Exaltation of the Holy Cross; the Ascension; the Holy Trinity (the Pentecost); and the Dormition of the Virgin; inscriptions to the outer border; some restoration. 3.1 kg, 44.5 x 37 cm
Property of a London lady, part of her family's collection.
The Greek term Dodekaorton (Δωδεκαόρθον) designates the twelve most important holidays of the Orthodox Christian liturgical year. They are divided into fixed date holidays and variable date holidays (calculated in relation to Easter). A second division is between the feasts dedicated to Mary and those dedicated to Christ. Each holiday is represented by an image (icon) encoded according to the interpretation of the Holy Scriptures. On the day of the celebration, the corresponding icon is placed on a lectern in the center of the church.
