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LOT 1016
Luristan Sar-e Gorz Luristan Bronze Macehead
14TH-13TH CENTURY B.C.
2 3/4 in. (279 grams, 70 mm high).
With plain globular body, extended to a small raised ring encircling the top of the mace-head, circular short shaft expanding to a circular flat base.
ProvenanceAcquired 1980-2015.
Ex Abelita family collection.
For similar examples of maces see Gorelik, M., Weapons of Ancient East, IV millennium BC-IV century BC, Saint Petersburg (2003), pl.XXXI, no.21 (Luristan).
FootnotesCaucasian stone and bronze maces were distinguished by modestly finished, clean processed and predominantly close-to-ball shapes (with a variety of surface finishing, ranging from the smooth, ribbed, lobular forms to the rounded with protrusions and spikes), and the Western Iranian maces, especially the Luristan ones, notable for the variety of different forms. Similar mace-heads, probably realised in Luristan, decorated the head of the sceptres of Assyrian kings like Tukulti-Ninurta I (1243-1207 B.C.).
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LOT 1016
Luristan Sar-e Gorz Luristan Bronze Macehead
Estimate £200 - 300€230 - 350 (for guidance only)$270 - 410 (for guidance only)
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Chinese and Greek Bronze Arrowhead Group
Circa 3rd century B.C.-3rd century A.D.Sold for (Inc. bp): £26
Comprising two triangular-section Greek arrowheads; a gilt triangular-section arrowhead with short tubular socket. 18.9 grams total, 24-40 mm
Acquired in the 1980s-1990s. Property of a Nottinghamshire gentleman. -
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Italic Bronze Triple-Disc Cuirass
South-Central Italy, 420-350 B.C.Sold for (Inc. bp): £9,360
Matched pair of Samnite triangular breast and backplates, a suite of 'triple-disc' type, each with three repoussé panels with carinated rim, flat spandrel above and curved on the lower sides, with perforated edges to affix to a separate mail garment; rivetted loops to the shoulders for attachment of supporting straps, and similar lateral loops with portion of round-link chain in situ; mounted on a custom-made stand. 2.72 kg total, 40 cm high including stand
Ex Axel Guttmann collection of ancient arms and armour, Germany (1944-2001). with Hermann Historica, Munich, Germany. Ex Art Ancient, London, UK, 2019. with Sotheby’s, London, Ancient Sculpture and Works of Art, Part II, 8 December 2021, lot 155. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11941-210864.
These breastplates (kardiophylax) were a reduced version of the muscled armour (statos). Many archaeological specimens of this type were found in South Italian graves (Paestum, Alfedena), and are represented on the famous statuette of a Samnite Warrior found in Sicily (Connolly, 1981, p.108) in the Louvre and on many frescoes from Paestum, or are visible on the Campanian and Lucanian pottery, representing warriors (Christie's, 2004, no.90). The triple cuirass is well attested in archaeology, and the finds of Alfadena and Paestum show that it was mainly used by the coastal Samnites. This example is fairly representative of those in which the shoulder and side plates were attached to the front and back plates by rings and hooks. Born suggested that the upper two discs of the cuirass represented the pectoral muscles, the disc below the abdominal muscles. -
Luristan Bronze Horse Bit
9th-8th century B.C.Sold for (Inc. bp): £910
The cheekpieces formed as winged deer with horns and small ears, a circular opening to the body for the bar to pass through, two loops and studs to the reverse; the bar with looped circular terminals. 543 grams, 17.5 cm
Ex old English collection. London art market, pre 2000. Property of a Lonodon, UK, gentleman.
The most admirable horse bits ever created by man are undoubtedly those from Luristan, a province which extended along the valleys that make up the central part of the Zagros mountains. Worked in cast bronze with the lost wax process, they almost always had a rigid cannon in round or square bars which were flattened and rolled up around themselves at the ends, but their exceptional feature were the figural side bars. The local metalsmiths, in a period of time between 1200 and 700 B.C. managed to create an infinite number of typologies: horses, oxen, ibex, roosters and various mythological animals.
