Luristan Copper Flat Axehead

Matched pair of Samnite triangular breast and backplates, a suite of 'triple-disc' type, each with three repoussé panels with carinated rim, flat spandrel above and curved on the lower sides, with perforated edges to affix to a separate mail garment; rivetted loops to the shoulders for attachment of supporting straps, and similar lateral loops with portion of round-link chain in situ; mounted on a custom-made stand. 2.72 kg total, 40 cm high including stand



Ex Axel Guttmann collection of ancient arms and armour, Germany (1944-2001). with Hermann Historica, Munich, Germany. Ex Art Ancient, London, UK, 2019. with Sotheby’s, London, Ancient Sculpture and Works of Art, Part II, 8 December 2021, lot 155. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11941-210864.

These breastplates (kardiophylax) were a reduced version of the muscled armour (statos). Many archaeological specimens of this type were found in South Italian graves (Paestum, Alfedena), and are represented on the famous statuette of a Samnite Warrior found in Sicily (Connolly, 1981, p.108) in the Louvre and on many frescoes from Paestum, or are visible on the Campanian and Lucanian pottery, representing warriors (Christie's, 2004, no.90). The triple cuirass is well attested in archaeology, and the finds of Alfadena and Paestum show that it was mainly used by the coastal Samnites. This example is fairly representative of those in which the shoulder and side plates were attached to the front and back plates by rings and hooks. Born suggested that the upper two discs of the cuirass represented the pectoral muscles, the disc below the abdominal muscles.

With rounded shoulders and shallow square-sectioned mid-rib running to the blade tip; short tang with fastening hole. 220 grams, 37 cm



Acquired 1980-2015. Ex Abelita family collection.

The Luristan people produced fine metalwork, which according to Dr. Khorasani, was made possible by a settled period which arose as a result of the defeat of the Elamites by the Babylonians, leaving the Luristani people in relative peace for a period of time after 1200 B.C. According to Khorasani, 'A culture of innovation and experimentation flourished, and the repertoire of the Luristan smiths expanded in the period between 1150-1050 BC.' It became widespread throughout Mesopotamia, the Caucasus and the Near East.

With double-edged blade of Lauriacum Hromówka typology with blood channels running for the most of its length; inlaid figure of standing Mars Ultor wearing armour (statos) and plumed galea helmet, holding a shield (aspis) and a spear; the blade cleaned and conserved on one side. 467 grams, 82 cm



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11922-209659.