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LOT 1761
Luristan Bronze Spearhead
1200-1100 B.C.
15 3/4 in. (830 grams, 40 cm).
With an ovate blade, central rib and curved shoulders, the lozenge-section long shaft tapering towards the end, a rectangular tang with a bent tip.
ProvenanceEx Abelita family collection, 1980s-2000s.
LiteratureCf. Khorasani, M.M., Arms and Armour from Iran. The Bronze Age to the End of the Qajar Period, Tübingen, 2006, item 291, p.636.
FootnotesThe spearhead represents a slender variant of type 1 of the Khorasani classification. The type 1 was characterised by a bent tang. It was the evolution of a typology which began much earlier in Mesopotamia and the Fertile Crescent, the type 4 of the Stronach classification, with a straight tang and square section, usually thickened at the base with a button tang.
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Western Asiatic Carnelian Cylinder Seal with Winged God Lamassu
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Intaglio figure of a winged lamassu facing in advancing pose with pellet clusters beneath the hooves; supplied with a museum-quality impression. 0.71 grams, 13.52 mm
From the private collection of a European gentleman (1942-2024), formed since the 1970s. -
Western Asiatic Bronze Idol
1st millennium B.C.Sold for (Inc. bp): £26
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From the private collection of a European gentleman (1942-2024), formed since the 1970s. -
Royal Elamite Cuneiform Brick for King Shihak-Insusinak I
1150-1120 B.C.Sold for (Inc. bp): £4,420
A fired clay brick with seven lines of cuneiform text referring to King Shihak-Insusinak I; accompanied by a scholarly note by Dr Manuel Ceccarelli, PhD earned at the University of Tübingen, Germany, which states: 'Brick with Elamite cuneiform inscription of Shilhak-lnshushinak, king of Elam (South-West Iran), ca. 1150-1120 BCE. This royal inscription celebrates the restoration of the temple of the goddess Kirisha. The inscription can be reconstructed thanks to similar bricks.'I, Shilhak-lnshushinak, son of Shutruk-Nahhunte, beloved servant of Kiririsha and Inshushinak, King of Anzan and Susa: Humbanumena built the temple of Kiririsha-of-Liyan with unbacked mudbricks, and, as it threatened ruin, I restored it to its original state: with backed bricks, I (re)built it, and for my life, for the life of Nahhunte-Utu, of Hutelutush-lnshushinak, of Shilhina-hamru-Lakamar, of Kutir-Huban, of lshnikarab-huhun, of Urutuk -EI-halahu and of Utu-ehihi-Pinigir, with this intention,for our sake(?), I gave it to Kiririsha, my goddess.''; mounted on a custom-made stand. 2.96 kg total, 34.5 cm wide including stand
Private UK collection. with Bonhams, London, 22 September 1998, no.140. Private collection, UK. Acquired on the UK art market. Accompanied by copies of the relevant Bonhams catalogue pages and Dr Manuel Ceccarelli's notes. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13233-250320.
The name of this king, like that of many kings of Elam, was linked to a deity. Inshushinak was one of the major gods of the Elamites and the protector of the city of Susa in the state of Elam. He played an important role as a deity associated with royal power in the official ideology of many Elamite dynasties. King Atta-Hushu of the Sukkalmah dynasty called himself 'the shepherd of the god Inshushinak’. Many rulers dedicated new building projects to Inshushinak, using the formula 'or his (i.e., the king's) life.' The Shutrukids commonly used the title '(king) whose kingdom Inshushinak loves.'