Luristan Bronze Horse Bit

Comprising four tanged arrowheads, two with elongated triangular blades and raised midrib, sharp central groove, cylindrical stem with handle for the shaft; one with barbed shoulders and convex sides; one with narrow and flattened blade and short tang; the javelin head with slightly rounded shoulders, lanceolate shape and flattened blade. 164 grams total, 13.1-17.8 cm



From London art market, acquired in 1990s. Ex C.J. Martin, London, UK. Accompanied by a copy of the Spanish export licence.

These types of arrowheads were commonly used in Anatolia and Mesopotamia from the 2nd millennium B.C., but it appears that their employment began earlier in this area, where types like these occur alongside the non-barbed, predominantly ribbed and tanged types.

Comprising a broad double-edged parallel-sided blade, flat-section at the upper third with a very shallow central fuller, elliptical-section at the lower end; flat guard with scooped lower edge, D-section arms horizontally S-curved; 'cat's head' type pommel, rectangular with scrolled upper edge and integral central boss to both faces; on the upper part of the blade an engraved three-armed workshop mark and two possibly later added brass inlaid marks including a cross fourchee inside and the image of a sword to one side; mounted on a wall display mount. 1.7 kg total, 1.11 m

In general good condition, point missing, blade structure with little delamination along the upper part, corrosion damages along the edges and on the surface, some material loss on the original surface.

Private collection, Munich, Germany, 1970s. Private collection, London, UK, 2014, acquired from the above.

The Schiavonesca sword was used by Dalmatian mercenaries serving in the Venetian state armies, and produced by the workshops of the Serenissima to which the marks probably belong. Many of these swords were produced in Dubrovnik, a Croatian city under Venetian rule. Oakeshott classified all the pommels of square shape in his Type Z. Certain morphological differences between them were individuated by Dr Aleksić as a criteria for distinguishing the distinct subtypes, in this case the type Z3 for the upper crenelleted edge. The cross-guards of type 12b, like in this case, have symmetrically and horizontally sharply bent arms in the opposite directions. The 'cat's head' pommel is also found on surviving examples of cross-hilted swords of the 14th century which can be traced into the hands of Slavonic soldiers stationed in southern Europe, employed in the European armies of this period. The independent representation of the cross fourchee usually inscribed in a circle is rather frequent on the swords with type 12 cross guards and type Z pommels from Hungary, Northern Balkans and the neighbouring regions (Aleksić, 2007, p.122).

Comprising an embossed fragment of a breast-plate from muscle-type armour (thorax statos) representing Herakles fighting against the Hydra of Lerna; three-quarters of the hero's body preserved showing him naked in a dynamic position, wearing a fluttering short cloak (chlamys), overlooking the body of the monster of which the long tail covered with scales and fins is visible; fragment of cloak preserved separately. 122 grams total, 3.4-17.5 cm

Good portion of armour, extremely rare

Acquired on the French art market before 2000. From an EU collection before 2020.

This kind of armour is very rare, especially for this period, when most of the attested armour is plain or only slightly decorated. The young Herakles appears in heroic nudity running to the right, but, as on the cheek-piece from Gurlo, his head was probably turned in the opposite direction. The plasticism of the scene finds a good match in the Thracian tradition of the representation of weapons and armour, and the embossed elements with the highly prized work of the Panagyurishte treasure. The warrior-theme and the representation of Herakles or other fighting scenes on the Thracian and Hellenistic armours was a reference to the spirit of the immortal fighter.