Luristan Bronze Dagger

With large ovate blade, broad midrib, rounded shoulders and rectangular-section tang with bent tip ending with a button. 370 grams, 42.5 cm



Acquired 1980-2015. Ex Abelita family collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The massive spearhead belongs to type 1 of the Khorasani classification. Similar excavated examples from Marlik attest the use of such spearheads with bent tang in the area, and Stutzinger dated such weapons to 1200-1100 B.C. The type was the evolution of a typology which began much earlier in Mesopotamia and the fertile crescent, the type 4 of the Stronach classification, with straight square-section tang, usually thickened at the base with a button tang.

An adze-axe head with central shaft hole and curved blades. 755 grams, 17.5 cm



Acquired 1980-2015. Ex Abelita family collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The adze-axe was a fundamental axe of many Bronze Age cultures over the world. Its form was one that lends itself to dual purposes - for war and peace. As a tool, it functions in fabricating wood and as a weapon, its heavy mass and compact form make it a deadly striking and chopping weapon, even able to defeat light armour.

Composed of arched openwork shanks with looped terminals; one end fitted with large hoops and bar between; one end with a tripartite mouthpiece comprising two collared bars connected by a central hoop; Byzantine or early Ottoman. 340 grams, 19.5 cm



Collection of Dr Hanns-Ulrich Haedeke (1928-2017), author of ‘Schmuck Aus Drei Jahrtausenden’ and who became the director of the Museum of Klingenmuseum in Solingen, Germany, in 1968; the collection was formed in the early 1960s. From an important private Dutch collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

This type of horse bit is visible on one of the most important equestrian artworks of the 15th century - the Cappella dei Magi by Benozzo Gozzoli, a painting representing the Three Kings visiting Christ, depicted in costumes belonging to the early quarter of the 15th century. All the cavalrymen in the artwork had heavy curb-bits (with short and curved shanks, as in our specimen) and heavy, single reins.