Luristan Bronze Arrowhead Group

Discoid stamp seal with segmented face; accompanied by an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Stamp Seal of Bronze. 39x39x12 mm. This is round with flat compartmented face and flat back on which is mounted a broad handle of inverted U-shape. The design consists of a central circle from which eight curving bands spread to the edge, creating a whorl, the bands being hatched. This comes from west central Asia and dates to c. 2300-2000 B.C. It is in very good condition and the hatching on the base of the compartments is unusual.' 24.5 grams, 39 mm



Acquired in the late 1980s-early 1990s. Ex property of a West London businessman. Academically researched and catalogued by the late Professor Lambert in the early 1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Comprising a broad bowl with pedestal base, the rim with three small lugged bowls, three horned bovine heads, two birds and a complete bovine; restored. 2.03 kg, 31.5 cm wide



From a London gentleman's collection, 2000s. Ex London, UK, gallery. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

With cord and bead handles; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Description of Cylinder Seal of Fossil Shell 30 x 16.5 mm. A god standing in the centre succours a domestic animal on either side which is being attack[ed] in turn by a lion. Terminal: two line[s] below vacant description panel. The seal is of late ED III or early Akkad date, c. 2400-2200 B.C. The cutting is marked by a strong use of the drill. The seal is worn, though the design clear. The meaning of the design is based on real life. Lions were a real threat to the herds and flocks of the community, and it was hoped that the depiction of a god coming to the rescue of the domestic creatures would mean that in real life their animals would be similarly saved by divine help.'; accompanied by a museum-quality impression. 16.1 grams total, 8.1-29.57 mm



UK private collection, acquired 1980-1983. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in August 1990. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.