Luristan Bronze Animal

An assorted colourful mix of glass, stone and faience beads. 57 grams total, 1-22 cm



Ex London, UK, collection, 1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

With frieze in three scenes: crouching gryphon with one foreleg raised above a guilloche scene-divider with a crouching ibex below; three human figures standing, the outer two wearing an ankle-length skirt with waistband, one arm bent holding a frond and, between them, a standing figure in flounced robe flanked by a squatting monkey with tail raised and a freestanding cruciform symbol; supplied with a museum-quality impression. 5.86 grams, 19 mm



From the 'S' collection, acquired 1970-1990s. The collection was seen and studied by W.G.Lambert, late Professor of Assyriology at the University of Birmingham, 1970-1993. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cylinder with cord and bead handles; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder seal of Red Stone with Some Cream, 30x13mm. The scene shows two kneeling worshippers, one either side of a stylized sacred tree below a winged solar disc. The seal is cut entirely with one tool, the cutting sheel, which enabled the work to be done quickly. the seal is to be dated c.900-800 B.C. and seals of this type are generally considered to be Babylonian, though this is not completely certain: they may have been made in Syria and southern Anatolia. The hands of the worshippers are in a typically Assyrian pose: one raised, one extended, but this type of seal is not generally found at Assyrian sites. The solar disc represents the storm god. Though there is some wear on the stone, the design remains quite clear and sharp.'; accompanied by a museum-quality impression. 8.8 grams total, 8.1-29.5 mm



UK private collection, acquired 1980-1983. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in August 1990. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.