Loading, please wait...
LOT 1087
Levantine Limestone Cylinder Seal
12TH-10TH CENTURY B.C. OR LATER
3/4 in. (2.23 grams, 20 mm).
With incuse frieze depicting a herdsman with a goat beside a structure (possibly a hearth with flame); supplied with a museum-quality impression. [No Reserve]
ProvenanceAcquired on the European art market, 1980s.
From the collection of G.M.R.H., London, UK.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Old Babylonian Terracotta Head of a Demon
1900-1800 B.C.Estimate: £2,000 - 3,000 (‡+bp*)
Opening Bid: £1,000
Modelled in the round depicting the (severed?) head of the Mesopotamian demon Humbaba, with iconic facial features in relief; hollow with vent to the neck; produced from a two-piece mould, with median seam through the facial features. 191 grams, 87 mm
Private collection, Israel. with Holy Land House of Antiquities, Jerusalem, 1980s. Acquired by the current owner from the above, 2001. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12878-241678. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Within traditional Mesopotamian religion, Humbaba was a creature regarded as Guardian of the Cedar forest and the brother of Pazuzu. He was represented as a giant who had been raised by the sun god, Shamash. -
Seljuk Green-Glazed Ceramic Oil Lamp
Circa 11th century A.D. or laterSold for (Inc. bp): £124
With biconical profile to the body, U-section nozzle, loop handle with trefoil thumb-pad. 224 grams, 13.7 cm
Ex London, UK, collection, 1970-1990s. From the private collection of a Leicestershire, UK, gentleman. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
South Arabian Bronze Bowl with Hunting Scene and Inscription
Circa 3rd century B.C.-2nd century A.D.Estimate: £7,000 - 9,000 (+bp*)
Opening Bid: £3,333
Broad and squat with impressed guilloche below the inner rim, repoussé frieze with fleeing ibex attacked by a gryphon and kneeling archer to the rear; central rosette; seven incised characters to inner face and four to outer face. 277 grams, 15.5 cm
The Saleh Collection, Germany, formed 1972. Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12809-241324. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The presence of decorated bronze bowls during the later Pre-Islamic period, mainly in the territories of the modern Emirates, is well documented. Many decorated bowls and bowl fragments were discovered at Mleiha, one or more possible fragments were found at ed-Dur and a single bowl comes from a Pre-Islamic period C tomb in Dibba. They are also similar to the so-called Phoenician - or more correctly Levantine - bowls produced in the 9th-early 7th century B.C. They combine local Levantine elements with imagery borrowed from Mesopotamia and Egypt, and local Arabian themes, such as camel and horse riding, often composed in radial zones.