Late Saxon Enamelled Gilt Bronze Brooch

Comprising: trapezoidal headplate with beast-head spurs to the upper angles and concentric panels of Style I ornament with flanking billets; shallow bow with central cell and garnet cloison insert; short footplate with lateral lappets featuring profile masks and central lozenge; facing mask above a trapezoidal bar finial; pin-lugs and catch to the reverse; mounted on a custom-made stand. 74 grams, 11 cm (126 grams total, 13 cm high including stand)



with ArtAncient Ltd. Private collection, London. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12440-226863.

The meaning of the 'facing mask' motif on the footplate is probably related to the profile masks frequently used in Style I art, where the 'pellet' eye is enclosed by an arched frame: the 'facing mask' repeats this motif to produce a pair of eyes in a doubled 'bow'. An element of visual 'riddling' is no doubt present: the design is neither one thing nor the other, but includes elements of both. Distribution of great square-headed brooches was initially concentrated along the valleys of the Rivers Trent, Thames and Severn, though it was later confined to the East Midlands and East Anglia (Hines, 1997, figs. 101, 102).

A zoomorphic mount which can be interpreted to include several animals, including a bird, a boar, a caterpillar, and a rat; ellipsoid in section with hollow rear and slot, holes for attachment curved end; the rear of the body formed with transverse twisted ribs above two panels of fine parallel lines parted at the median with D-shaped lugs projecting above; below, beneath the lateral slot, horizontal ribs and balusters with scooped edge and two holes for attachment; forward end forming a curved beak with lateral recesses. socket eyes above, one with glass fill; rear damaged; mounted on a custom-made stand. 26.12 grams, 38 mm (43.6 grams total, 71 mm including stand)



with ArtAncient Ltd. Private collection, London. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12438-226862.

The item is enigmatic and intriguing. In many respects it resembles a drinking horn finial, particularly the class of such items found in Irish and Hiberno-Saxon contexts (Youngs, items 53, 54). However, the profile of the hollow rear is elliptical rather than than circular, and the lateral slots are clearly intended to accept some form of projection. The most likely interpretation is that the piece was custom-made to fit a drinking horn with carved ornament, part of which would fit into the slots. The form of the piece is superficially that of an eagle- or raven-head with sturdy raptor's beak. However, behind the head are placed two small projecting ears and the sides bear a long mane, both reminiscent of a horse. It seems likely that the animal is a hybrid of a mammal and bird of prey: in this case, it must be a gryphon inspired by classical forms.

The majority of a mount bearing dense and enigmatic imagery recalling half-remembered legends which were already ancient when it was made; the obverse packed with a tangled mass of bands of detailed ornament which resolves itself into human (or divine?) figures, each gripping the ankles of the other, their bodies inverted and contorted in the classic Style I chip-carved fashion; the centre with a round cell, into which a flat-cut glass cloison is set, polished to reflect the light and to shimmer with blood-red brilliance. 9.08 grams, 32 mm

Fine condition. Unique.

Found Wiltshire, UK. Wiltshire gentleman, 2011. TimeLine Originals, 2000s. Property of an East Anglia gentleman. Accompanied by a report by Anglo-Saxon and Viking specialist S. Pollington. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.10381-168115.

Anglo-Saxon and Viking specialist Stephen Pollington writes: '...the scene presented may illustrate a legend or myth of which no record survives. That said, the execution of the piece is consistent with high-status Anglo-Saxon metalwork of the 6th century, and the quality of the gilding is remarkably high. The iconography is at present unique but entirely within the Anglo-Saxon tradition.'