Late Roman Silver Ring with Cross

A silver ring composed of a convex ellipsoid hoop, expanding at the shoulders to a raised oval bezel with collar, set with a green jasper intaglio gemstone engraved with the image of a goddess, carrying a staff and a laurel crown. 8.43 grams, 23.53 mm overall, 19.80 mm internal diameter (approximate size British M 1/2, USA 6 1/4, Europe 13.09, Japan 12)



Acquired in the late 1990s-2000. Property of an East London gentleman.

The ring presents similarities with the type II, variant 1 of the Ruseva-Slokoska classification. Many rings with images of divinities were found by the archaeologists as votive offerings to the divinities engraved on the bezel. It is difficult to interpret which divinity is represented in this ring, but the sceptre and the laurel crown could hint at it being Hera or Juno.

A group of six ceramic tile fragments, each bearing a stamp. 3.3 kg total, 10.5-22.2 cm



Previously in a private collection since the 1990s. Property of a Sussex, UK, teacher.

A silver-gilt brooch in form of cicada with hollow-formed D-section head and neck, flat triangular wings; the head with bulbous eyes above a waisted neck; granule detailing to the head; pin-lug and catch-wire to the reverse. 3.82 grams, 23 mm



Acquire in the 1990s. Ex Cambridgeshire, UK, collection.

This type of brooch was popular among the Hunnic tribes, as well as in Roman Pannonia and Illyricum before the arrival of the Huns. Early Hunnic designs from Pannonia may have borrowed from late Roman types. With the arrival of new populations due to migration from the east, a new material culture developed, described as the Danubian or Ponto-Danubian style, as many of its features appear in the Pontic region as well. Although the exact meaning of the cicada brooch is not known to us, it is possible that it retained its ancient symbolism of rebirth or regeneration of the soul.