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LOT 0120
Late Roman Redware Oil Lamp With Daniel Standing
NORTH AFRICAN, 5TH CENTURY A.D.
5 3/4 in. (196 grams, 14.5 cm).
With a lug handle and oval elongated body, two central filling-holes flanking the image of prophet Daniel enclosed within a decorative shallow border; two thin concentric circles on the base, possibly a blurred potter’s mark to the middle.
ProvenanceFrom the collection of the French archaeologist Suzanne Gozlan, 1921-2022.
LiteratureSee Bussière, J., Lindros Wohl, B., Ancient Lamps in the J. Paul Getty Museum, Malibu, 2017, nos.492-499, p.351ff.
FootnotesThe lamp belongs to the type Atlante X or Hayes II A. The so-called Christian lamps in Terra Sigillata Africana have been classified by Hayes into two major types, I and II. He has distinguished two classes in his type II, according to geographic place of manufacture or origin. Subtype II A group lamps from central Tunisia are characterised by a fine clay, glossy light orange slip, and carefully executed decoration using a great number of neatly drawn shoulder motives.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Roman Bronze Antinous Balsamarium
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Comprising the bust of Antinous or Bacchus (Greek Dionysus); the head modelled in the round, hair with voluminous waves, semi-naturalistic facial features, muscular neck and chest, two loops at the sides for the handle, silver inlaid eyes restored with black glass pupils. 300 grams, 10 cm
Acquired on the German art market before 2000. From an EU collection before 2020.
The balsamarium (ointment or balsam container), is a modern term reflecting the Roman use of relatively small vessels as containers for aromatic oils, or storing and dispensing cosmetic liquids and/or scented powdered substances. These vessels were produced in the first three centuries of the Roman Empire in a variety of forms, including busts and animal shapes. The present balsamarium testifies to the power of imperial imagery and its dissemination across the empire, as the vessel portrays Antinous, Emperor Hadrian's ‘favourite’, whose untimely death in a boating accident led to his deification. The general facial characteristics of our figure are consistent with the stylistic portrait features of late antiquity and the personal features of Antinous, here appearing with large almond-shaped eyes, set into slightly upturned, incised pupils. -
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