Late Lydian Bronze Phiale with Boss

A hollow-formed horse-head finial with ribbed mane to the arched neck, elaborate bridle strap detail. 62 grams, 79.5 mm

Fine condition.

From an important central London collection formed since the mid 1960s; thence by descent. From the private collection of John Meredith, acquired since the 1990s; thence by descent.

With short stem and broad bowl with carination at the shoulder; two strap handles with an ivy-leaf with tendrils and volutes underneath; the underside of the bowl with a frieze of four satyrs and four maenads performing a dance, the maenads dressed in fancy Ionian dress, long peplos and himation, and a kekrykephalos (hair net) on their heads, and holding a thyrsus in their right hands; the centre of the cup showing dancing Silenus and a nymph, dressed in a similar manner and holding a thyrsus, border of meanders and chequered squares surrounding; restored. 875 grams, 37 cm wide



Ex Dr Gonik and the late Mr Wirth, 1960-1970s. Private collection, Switzerland. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12573-232109.

Silenus, the only individualised satyr, was a companion and tutor to the wine god Dionysus, and he is represented here in the place of honour. He is typically older than the satyrs of the Dionysian retinue (thiasos) and his representation on the tondo symbolises respect towards his senior position.

A gold necklace or diadem composed of twenty-two articulated units each in the form of a complex shields terminating in finials decorated with palmettes executed in filigree; body consists of shield-shaped jet(?) elements with a central rhomboid panel, joined above and below by triangular sections decorated with granulated triangles; the perimeter of each shield framed by a soldered beaded wire; at the centre of each rhomboid panel, an embossed appliqué mask in low relief; to the reverse of each element, two vertically aligned loops formed from narrow gold strips and intended for articulation; offered in a lined wooden display case. 22.5 grams, 21.6 cm



Ex M. Velensky collection, London, UK, 1990s. Accompanied by a copy of a four page examination report number 90/2015 by Dr habil Mikhail Treister. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13104-248043.

The terminals are comparatively rare survivals, decorated with palmettes in filigree, a feature only occasionally attested among comparable assemblages from Bosporan contexts. The overall typology, decorative programme, and construction techniques closely parallel examples recovered from well-documented burials at Phanagoria, Pantikapaion, Tanais, and Tsukur-Liman. Comparable necklaces combining shield elements with embossed human heads are particularly characteristic of the 3rd-2nd centuries BC. According to the examination conducted by Dr habil. Mikhail Treister, there is nothing to challenge the authenticity of the object. The specific form, restricted geographic distribution, and close parallels suggest manufacture within a workshop of the Bosporan Kingdom, most plausibly in Phanagoria, one of its principal production centres during the Hellenistic period.