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LOT 1957
Large White Marble Bust of Diana the Huntress
19TH CENTURY A.D.
26 3/4 in. (66.5 kg, 68 cm high).
The goddess shown in an elegant pose with her head turned to the right and her gaze directed upwards, wearing a laurel leaf crown and a loose garment covering her left breast, leaving the right one exposed, narrow quiver strap crossing over her right shoulder; her hair dressed in soft waves and pulled to a chignon at the nape of her neck; old repair on the neck.
ProvenanceAcquired on the UK art market.
Private collection, London.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13080-246797.
Cf. for the Diana of Versailles and her copies Hekler, Antal, Az antik gipszgyüjtemény I-II., Budapest, 1919-1920, 1923, no.276.
FootnotesIn the 19th century, many studies of the hunter goddess were inspired by the 'Diana of Versailles', a 2nd-century Roman version in the Greek tradition of iconography, today in the collection of the Louvre Museum, Paris, France.
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AUCTIONS:
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LOT 1957
Large White Marble Bust of Diana the Huntress
Estimate £2,500 - 3,500€2,900 - 4,060 (for guidance only)$3,380 - 4,730 (for guidance only)
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Renaissance Sardonyx Cameo of a Female Bust in Gold Ring
Italy, 16th-17th century A.D.Sold for (Inc. bp): £520
Carved with a bust of a young female in three-quarter view, wearing a loose palla with one breast exposed; set into an antique gold ring. 6.05 grams, 26.23 mm overall, 19.05 mm internal diameter (approximate size British S, USA 9, Europe 20, Japan 19)
Private collection, Europe. Acquired on the English art market. -
Enamelled Gold Pendant Depicting the Virgin and Child with Saints
Sicily, 17th-18th century A.D.Sold for (Inc. bp): £3,900
Decorated to obverse with a vase abundant with flowers in a mountainous landscape, with reserved roundels containing the images of Saints Anthony of Padua, John the Baptist and Saint Dominic de Guzmán; reverse with another vase in a landscape emitting a rose garland supporting an image of the Virgin and Child in Majesty, amidst clouds and angels. 24 grams, 61 mm
Private collection, Europe. Acquired on the French art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13057-248398.
The pendant is decorated in the manner of Giuseppe Bruno who was an enameler from Messina, Sicily (active c.1652-82). -
Russian Orthodox Enamelled Bronze Travel Icon with Christ Flanked by Mary, Maria, and Saint John
19th century A.D.Estimate: £250 - 350 (+bp*)
Opening Bid: £135
Representing the Saviour on the cross, the titulum inscribed with the letters 'ΙC ΧΡ' (Jesus Christ); Cyrillic inscriptions over the sun (Солнце) and the moon (Луна), flanking Jesus and above the heads of the figures: Mary of Magdala (Мария Магдала), the Mother of God ('ΜΡ ϴΥ'), Saint John the Theologian (Св Иоанн) and Saint Longinus (Св Лонгин); on the background the symbols of the Passion (sponge on reed, spear and a skull set on stones marking the site as Golgotha, twisted cords or wire, skan) and the city of Jerusalem; on the upper part of the cross the Archangels Michael and Gabriel with cloth-covered hands, the Mandylion above them. 270 grams, 16.6 cm
Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.
Orthodox travel icons were used by the faithful to carry a sacred representation with them during their journeys, offering protection and a constant spiritual connection. The icon features meticulous craftsmanship with intricate details of the Passion and Death of the Saviour, according to the Byzantine iconography.
