Large Western Asiatic Stone Stamp Seal with Incised Design

Comprising: two large tanged arrowheads, mainly of triangular type with mid-rib; two arrowheads with barbed shoulders, midrib and a stop on the blade with a long tang. 122 grams total, 12.7-15 cm



Acquired in the 1990s. Ex Abelita family collection.

One category of the represented arrowheads has a sharp blade, the ends of which extend to form wings or barbs, and a prominent midrib extending into a long tang that has a stop; the blade shape varies from deltoid to more triangular. The other form has no barbs, but it has a prominent midrib extending to the tang, and a rhomboid or tringular blade. Godard claimed that both types of heads, barbed and not barbed, came from Luristan.

A bulla with oval stamped impression of two animals. 147 grams, 60 mm



Specialised collection of cuneiform texts, the property of a London gentleman and housed in London before 1988. Thence by descent to family members. Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s. The collection is exceptional for the variety of types, including some very rare and well preserved examples. Accompanied by a copy of a previous catalogue page.

Small globular and hollowed clay balls are defined as 'bulla'. They are also known as ‘bulla-envelopes', some of which are plain and some displaying epigraphic, zoomorphic and/or figural decoration, impressed by either cylinder or stamp seals. Bulla first emerged in Mesopotamia and their earliest occurrence can be traced to circa 8000 B.C. Most know decorated bullae come from the Uruk area and offer an insight into its culture. This bulla represents a religious scene, indicated by the combination of the pyramid-shaped byre and the 'sacred herd', which are seen on the early Uruk seals. The symbol of the Mother-Goddess, presented in conjunction with the representations of sheep herd and byre, gave such imagery symbolic significance. The impression with two sheep depicted under the byre, might have been impressed by a stamp seal of the early Uruk period.

Columnar in form with discoid base supporting a pair of stylised head with almond-shaped eyes, button nose, prominent elongated chin and triangular lobes; suspension loop to the top. 25.80 grams, 36 mm



Ex Mayfair, London, UK, collection, 1979-1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13072-249423.

Pazuzu was an Assyrian and Babylonian demonic god who was represented with a canine head, scaly body, a snake-headed penis, the talons of a bird, and usually four wings. He is often regarded as an evil underworld demon, but he seems also to have played a beneficent role as a protector against pestilential winds; a bronze figure of Pazuzu in the Louvre, (accession number MNB 467) is inscribed, ‘I am Pazuzu, son of Hanpa, king of the evil spirits of the air which issues violently from mountains, causing much havoc.’ His close association with Lamashtu, a fierce demon goddess responsible for child mortality, resulted in him being used to counter her powers and send her back to the underworld. Amulets of Pazuzu were positioned in dwellings to act as protective barriers to evil powers, or were often in the form of just a head, as in this example, and were hung around the necks of pregnant women. Pazuzu is popularly known today as the demon from the 1973 film ‘The Exorcist’.