Large Western Asiatic Pottery Jar

Formed as three vertical bars joined near the base; accompanied by an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Stamp Seal of Bronze 54 x 48 x 26mm This bears the shape of the design, with flat face and flat back, on which is mounted a handle of angular shape with rounded top. The piece has roughly three parallel vertical segments, which join in the middle, the whole being surrounded by a rim. Each segment has a row of dots in it: four in the two outer segments, six in the middle one, which is longer. This comes from western central Asia and dates to c. 2300-2000 B.C. It is extremely rare for its design, which may be understood as a stylized depiction of a standing four-winged god, but this is not completely certain.The piece is generally in good condition, but is a little bent.' 25 grams, 53 mm



Ex S collection, deceased, London, UK, 1990s. Accompanied by an original scholarly note, typed and signed by Professor Wilfrid George Lambert.

Comprising a broad bell-shaped bowl with flat rim attached by a thick trunk with four rows of angled impressions to a tripod base with sturdy curved legs with inner supporting ring and keeled finials. 5.28 kg, 35.5 cm



with Mahboubian Gallery, London, UK, 1974. Private collection, London, UK.

Comprising a thin, extended neck developing into a largely unmarked face, represented only as a low-relief oval across its width; small arms folded into the chest emerging just beside two raised breasts; body curving inwards to suggest a feminine waist, before widening dramatically at the hips and buttocks; legs tapering gradually towards the base, with small marks delineating toes; mounted on a custom-made stand. 386 grams total, 23 cm including stand



Dr Werner Alder, Carona, Switzerland, acquired in the 1960s. Private collection M.R., Lugano, Switzerland. Accompanied by an academic report by Dr Raffaele D’Amato. Accompanied by a thermoluminescence analysis report no.N126a11 from Oxford Authentication. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13015-246792.

The Amlash ceramics of Iron-Age Iran are named after a small modern town in the northern province of Gilan, just south of the Caspian Sea. Although the town is in close vicinity to Mesopotamia, the objects found there have a distinct local style, perhaps due to the natural boundaries of the Elburz and Zagros mountain ranges. The ceramic vessels and statuettes of both humans and animals from this region are by far the most important source we have on the Amlash culture of this period. Much of what has survived seems to have held spiritual or ritual functions, for example, votive idols and libation vessels. Human representations are generally found in burial sites and may therefore represent deities or specific individuals. These terracotta figurines, distinguished by their exaggerated, rounded hips and thighs, are believed to date from the late 2nd to early 1st millennium B.C. and are widely interpreted as fertility symbols or representations of a mother goddess.