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LOT 0319
Large Veneto-Cretan Icon of Virgin and Child
17TH CENTURY A.D. OR LATER
23 5/8 x 16 3/4 in. (4.3 kg, 60 x 42.5 cm).
A large icon depicting the Virgin holding the Christ on her lap on a gilt background, both nimbate, the haloes with punched foliate decoration; the Virgin wearing a carmine red maphorion embellished with golden embroidery and fringes, elaborate cuffs and neckline to the himation; the Christ seated on the lap, holding his right arm out and making the blessing sign with his hand, left hand holding an open scroll inscribed in Greek πνευμα κυριου επ εμε ου ενεκεν εχρισεν με ευαγγελιζεσθαι πτωχοις απεσταλκεν με for 'The Spirit of the Lord is on me, because he has anointed me to proclaim good news to the poor' (Luke 4:18-21), the green chiton and orange himation embellished with red folds; Greek inscription 'ΜΡ ΘΥ' for 'Mother of God' flanking the Virgin's halo, 'IC XC' for 'Jesus Christ' to the right of the Child and inside his nimbus 'O Ѿ N' for 'The Only One who always exists'; some restoration.
ProvenanceProperty of a London lady, part of her family's collection.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by searcher certificate no.11572-198599.
See Weizmann, K. et al., The Icon, New York, 1982; Psilakis, N., Byzantine Churches and Monasteries of Crete, Heraklion, 1998; Popescu, G.A., Cristiani d'Oriente, spiritualità, arte e potere nell'Europa Post-Bizantina, Milano, 1999; Evans, H.C., The Arts of Byzantium, New York, 2001; Geelmuyden Bulgurlu, V., Ulf, A., Lindgren, N., Bodin, H., Balicka-Witakowska, E., Five essays on icons, Stockholm & Istanbul, 2005; the icon with the Virgin in the attitude of Mother of the Consolation, or in that of Hodegetria, shows similarity with other two icons of the same Cretan Guild, published by Popescu (1999, cat. nn. 144-145); Weizmann (1982, pp.310-315, 318) published a Veneto-Cretan Ritzos icon with stylistic similarities.
FootnotesIn the Orthodox church, the spaces between the columns close to the central doors of the Iconostasis (Holy Doors) are occupied by two proskynesis icons, representing Christ giving his blessings to the right and to the left the Virgin Mary, with or without the infant, or in interceding position known as Virgin Chalkoprateia type.
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LOT 0319
Large Veneto-Cretan Icon of Virgin and Child
Estimate £5,000 - 7,000€5,800 - 8,120 (for guidance only)$6,750 - 9,450 (for guidance only)
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Stuart Period Gold, Rock Crystal and White Enamel Ring
17th century A.D.Sold for (Inc. bp): £4,420
A gold ring composed of a slender hoop embellished with tapering, white enamelled shoulders with black enamelled flourishes, fluted box collet setting, set with a pink foil back and table-cut rock crystal; accompanied by a vintage ring box. 1.89 grams, 21.50 mm overall, 16.63 mm internal diameter (approximate size British L 1/2, USA 6, Europe 11.87, Japan 11)
Valued by Bentley & Skinner, Piccadilly, London W1, 2016. Property of an East Sussex collector. Accompanied by a copy of the Bentley & Skinner insurance valuation. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11669-197584.
The V & A Museum explains that during the '...Renaissance, the ring developed from the simple forms of the medieval period into a miniature work of art, combining the skills of the chaser, engraver and enameller as well as the stone cutter. -
Post Medieval Marble Basket
16th-18th century A.D.Sold for (Inc. bp): £1,560
A marble basket carved in the round with an oblong shape, woven body splayed base and a hollowed interior. 27.8 kg, 48 cm wide
English private collection. -
Large Veneto-Cretan Icon of Virgin and Child
17th century A.D. or laterEstimate: £5,000 - 7,000 (+bp*)
Opening Bid: £2,250
A large icon depicting the Virgin holding the Christ on her lap on a gilt background, both nimbate, the haloes with punched foliate decoration; the Virgin wearing a carmine red maphorion embellished with golden embroidery and fringes, elaborate cuffs and neckline to the himation; the Christ seated on the lap, holding his right arm out and making the blessing sign with his hand, left hand holding an open scroll inscribed in Greek πνευμα κυριου επ εμε ου ενεκεν εχρισεν με ευαγγελιζεσθαι πτωχοις απεσταλκεν με for 'The Spirit of the Lord is on me, because he has anointed me to proclaim good news to the poor' (Luke 4:18-21), the green chiton and orange himation embellished with red folds; Greek inscription 'ΜΡ ΘΥ' for 'Mother of God' flanking the Virgin's halo, 'IC XC' for 'Jesus Christ' to the right of the Child and inside his nimbus 'O Ѿ N' for 'The Only One who always exists'; some restoration. 4.3 kg, 60 x 42.5 cm
very good condition; tempera on wood panel; vertical crack minimally restored.
Property of a London lady, part of her family's collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by searcher certificate no.11572-198599.
In the Orthodox church, the spaces between the columns close to the central doors of the Iconostasis (Holy Doors) are occupied by two proskynesis icons, representing Christ giving his blessings to the right and to the left the Virgin Mary, with or without the infant, or in interceding position known as Virgin Chalkoprateia type.
