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LOT 2065
Large Syro-Hittite Style Terracotta Standing Figure
20TH CENTURY A.D. OR EARLIER
7 7/8 in. (181 grams, 20 cm).
Modelled in the round, standing, facing, each with pronounced facial features and hairdo. [No Reserve]
ProvenanceFrom the private collection of John Meredith, acquired since the 1990s; thence by descent.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Post Medieval Razor and Silver Mounting Engraved with 'P A G E Wills, 1675'
Netherlands, 17th century A.D.Sold for (Inc. bp): £624
Comprising two rectangular D-section bars, discoid mount on one end securing a razor blade, rectangular mount with engraved inscription 'P.A. G E Wills 1675' with bulbous finial to the other. 14.7 grams, 12.1 cm
Private collection, Europe. Acquired on the English art market. -
Tudor Bronze Clothes Hook Fastener Collection
16th century A.D.Sold for (Inc. bp): £13
A mixed group of hooked fasteners, including an oval with a low-relief female profile, an openwork rosette, rectangular with a low-relief of double-headed serpent, an openwork interlaced design, and some with suspension lug. 13.4 grams total, 28-37 mm
From the private collection of the late Graham Slater (1927-2024), Cambridge, UK, acquired 1980s-1990s. -
Post Medieval Marble Portrait of a Man
17th-18th century A.D.Estimate: £5,000 - 7,000 (+bp*)
Opening Bid: £2,500
Modelled in the round with a frowning expression, a triangular face with angular features and thick banded hair; recessed to the top of the head. 35.1 kg, 41 cm high including stand
Private collection, England. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13082-249677.
From the late 17th century until around the 1760s, classical nostalgia and the viewing and recording of classical remains became major occupations for aristocratic young men who went on the ‘Grand Tour’. In Rome, for example, some British visitors counted and measured the huge number of ancient columns and obelisks still visible in the city. The wealthiest brought back antiquities, including stones with Latin inscriptions, and redesigned their gardens to display them. More significantly, such travels also encouraged those who went to redefine their own origins and native identities within a wider European context. The taste for the reproductions of ancient monuments involved also the sculptures of Middle Age.
